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  • Tate Papers no.16

Tate Papers ISSN 1753-9854

Tate Papers no.16 Autumn 2011

British-born Lawrence Alloway (1926–1990) was a leading member of the Independent Group in the 1950s before moving in 1961 to the United States where he became an influential curator and critic. Read about Alloway’s life and legacy in this issue, together with a report about learning initiatives associated with the ARTIST ROOMS collection, based on the conference Interpretation, Theory & the Encounter held at Tate Britain on 9 July 2010.

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In this Issue

    Art World, Network and Other Alloway Keywords

    Courtney J. Martin

    Mapping the Field: Lawrence Alloway’s Art Criticism-as-Information

    Stephen Moonie

    Living in the *Long Front*

    Julian Myers

    Lawrence Alloway’s Spatial Utopia: Contemporary Photography as ‘Horizontal Description’

    Shelley Rice

    Regular Novelties: Lawrence Alloway's Film Criticism

    Peter Stanfield

    Parallel Systems: Lawrence Alloway and Eduardo Paolozzi

    Eric M. Stryker

    ARTIST ROOMS: Young People and Learning 2009–10

    Christopher Ganley

How to cite

‘Tate Papers no.16: Autumn 2011’, Tate Research Publication, 2011, https://www.tate.org.uk/research/tate-papers/16, accessed 27 May 2022.

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