12 rooms in Artist and Society
Tate Modern is currently closed
For more information please go to our FAQs and if you have any further queries please contact hello@tate.org.uk. We look forward to welcoming you back when we reopen.
Discover how both of the artists in this display used actions to engage the public with social, political and environmental concerns
During the 1970s Beuys developed the role of the artist as teacher. In his actions and exhibitions he outlined theories of creativity and the relationship between art and society. The centrepiece of his Tate exhibition was a performance entitled Information Action. For six and a half hours, Beuys discussed art, politics and the idea of using art as a force for change.
The blackboards shown here were used in Information Action, and in a related event at the Whitechapel Gallery, London. Since the mid-1960s, Beuys had used blackboards in his performances as carriers of information that he could alter as the event progressed. Many of them were preserved as records of his actions. They are now seen as artworks in their own right.
Nicolás García Uriburu wanted to raise awareness about water pollution. At the 1968 Venice Biennale he poured fluorescein into the waters of the Grand Canal. This non-contaminating pigment reacts with micro-organisms in water and turns bright green. In a matter of seconds, the surface of the canal started to change colour. The video Actions in nature captures this brief transformation. Uriburu went on to repeat this action in rivers, coastlines and fountains around the world. It became his best known work.
Joseph Beuys, Four Blackboards 1972
Three of these boards were used by Beuys in his Information Action at the Tate Gallery in 1972, at which he spoke and answered questions uninterruptedly for six and a half hours. The fourth was used the following day at the Whitechapel Gallery. The text on the third board reads: ‘He who in 1972 can live carefree and sleep peacefully despite knowing that two thirds of humanity are hungry or dying of starvation while a large proportion of the well-fed third must take slimming cures in order to stay alive should ask himself what kind of man one is and whether, moreover, he is a man at all.’
Gallery label, December 2020
1/2
artworks in Joseph Beuys and Nicolás García Uriburu
Nicolás García Uriburu, Actions in nature 1968
2/2
artworks in Joseph Beuys and Nicolás García Uriburu
Art in this room
We recommend
-
Tate Papers
Tate Papers no.31: Spring 2019
New perspectives on the work of Joseph Beuys and his engagement with European history, mythology and geopolitics
-
Art Term
Performance art
Artworks that are created through actions performed by the artist or other participants, which may be live or recorded