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This is a past display. Go to current displays

Santu Mofokeng, Dust Storms at Noon on the R34 Between Welkom and Hennenman, Free State I 2007, printed 2011. Tate. © Santu Mofokeng, courtesy Maker, Johannesburg.

Photography & Environment

Explore photographs that trace the environmental and human impact of industrial activity on the natural world

Photography was invented in the early 19th century. From the start, it was used to record landscapes and how they change over time. Some made photographic records to measure, control and claim ownership of land.

Industrial expansion and the development of technology transformed how people lived and worked. This paralleled the development of photography. Technological changes triggered population growth, massive extraction of natural resources, environmental destruction and pollution.

The destructive effects of large-scale industry continue to impact the whole world. The interrelated causes and consequences of the environmental crisis are complex. Photography can show, or help us imagine, how global capitalism affects the planet and its inhabitants. Photographers and artists have responded in different ways. You can explore a range of these strategies in this display.

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Tate Modern
Natalie Bell Building Level 2 West

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1 February – 24 April 2022

Free

Josef Koudelka, Spain  1975

1/20
artworks in Photography & Environment

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Josef Koudelka, Ireland  1970

Josef Koudelka’s first photography series, Gypsies, captures the daily lives of Roma communities in Bohemia, Moravia and Slovakia (then Czechoslovakia), as well as Hungary, France, Romania and Spain. The series documents a period of post-war upheaval when Roma people were undergoing forced integration and persecution across Europe. Using a 25mm wide-angle lens, Koudelka was able to immerse himself in intimate settings and small spaces. Known as ‘Ikonar’ (maker of icons) by some of the communities he worked with, he captured Roma traditions, struggles and resilience in striking compositions.

Gallery label, March 2025

2/20
artworks in Photography & Environment

More on this artwork

Josef Koudelka, Czechoslovakia, Slovakia, Zehra  1967

Josef Koudelka’s first photography series, Gypsies, captures the daily lives of Roma communities in Bohemia, Moravia and Slovakia (then Czechoslovakia), as well as Hungary, France, Romania and Spain. The series documents a period of post-war upheaval when Roma people were undergoing forced integration and persecution across Europe. Using a 25mm wide-angle lens, Koudelka was able to immerse himself in intimate settings and small spaces. Known as ‘Ikonar’ (maker of icons) by some of the communities he worked with, he captured Roma traditions, struggles and resilience in striking compositions.

Gallery label, March 2025

3/20
artworks in Photography & Environment

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Josef Koudelka, Czechoslovakia, Slovakia, Kendice  1966

4/20
artworks in Photography & Environment

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Josef Koudelka, Czechoslovakia, Slovakia, Zehra  1967

Josef Koudelka’s first photography series, Gypsies, captures the daily lives of Roma communities in Bohemia, Moravia and Slovakia (then Czechoslovakia), as well as Hungary, France, Romania and Spain. The series documents a period of post-war upheaval when Roma people were undergoing forced integration and persecution across Europe. Using a 25mm wide-angle lens, Koudelka was able to immerse himself in intimate settings and small spaces. Known as ‘Ikonar’ (maker of icons) by some of the communities he worked with, he captured Roma traditions, struggles and resilience in striking compositions.

Gallery label, March 2025

5/20
artworks in Photography & Environment

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Josef Koudelka, Ireland  1976

6/20
artworks in Photography & Environment

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Josef Koudelka, Germany  1979

7/20
artworks in Photography & Environment

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Josef Koudelka, Czechoslovakia, Slovakia, Rakasy  1966

8/20
artworks in Photography & Environment

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Josef Koudelka, Romania  1968

Josef Koudelka’s first photography series, Gypsies, captures the daily lives of Roma communities in Bohemia, Moravia and Slovakia (then Czechoslovakia), as well as Hungary, France, Romania and Spain. The series documents a period of post-war upheaval when Roma people were undergoing forced integration and persecution across Europe. Using a 25mm wide-angle lens, Koudelka was able to immerse himself in intimate settings and small spaces. Known as ‘Ikonar’ (maker of icons) by some of the communities he worked with, he captured Roma traditions, struggles and resilience in striking compositions.

Gallery label, March 2025

9/20
artworks in Photography & Environment

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Josef Koudelka, England  1976

In Exiles, Josef Koudelka documents his travels across Europe after fleeing Czechoslovakia in 1970. He remained stateless until 1987 when he received French citizenship. This time in his life was characterised by a desire for freedom and a constant state of restlessness. According to Koudelka, he never stayed anywhere longer than three months. Exiles reflects his sense of displacement and discovery of both himself and his surroundings. His photographs of desolate landscapes, abandoned urban scenes and solitary moments show his understanding of complex composition and tone.

Gallery label, March 2025

10/20
artworks in Photography & Environment

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Josef Koudelka, Ireland  1972

11/20
artworks in Photography & Environment

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Josef Koudelka, Wales  1974

12/20
artworks in Photography & Environment

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Josef Koudelka, Czechoslovakia  1968

13/20
artworks in Photography & Environment

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Josef Koudelka, On 22 and 23 August, Wenceslas Square was Cleared of People, August 1968  1968, printed 1970s

This image of an arm held up against Prague’s Wenceslas Square has become Josef Koudelka’s most iconic photograph. The usually bustling square is eerily quiet. For a long time, Koudelka thought he had taken the photograph at 6pm. This would have been proof the Czechoslovakian people had not fallen for a Soviet ruse to attend an evening protest and given the soldiers an excuse to attack. Years later, however, he realised the watch read 12 noon when the square had also been cleared.

Gallery label, March 2025

14/20
artworks in Photography & Environment

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Josef Koudelka, Defending the Czechoslovak Radio Building, Prague, August 1968  1968, printed 1970s

‘The Russian invasion of Czechoslovakia in August 1968 concerned my life directly. It was my country. I took these photographs for myself, not for a magazine. It was only by chance that they were published. I wasn’t a reporter. I had never photographed anything that you would call ‘news’. Suddenly, for the first time in my life, I was confronted with that kind of situation. I responded to it. I knew it was important to photograph, so I photographed.’

Taken with remarkable proximity, Josef Koudelka’s photographs were first shown to the international public the following year. For his safety, they were credited to ‘an unknown photographer’.

Gallery label, March 2025

15/20
artworks in Photography & Environment

More on this artwork

Josef Koudelka, Czechoslovakia, Slovakia, Klenovec  1967

Josef Koudelka’s first photography series, Gypsies, captures the daily lives of Roma communities in Bohemia, Moravia and Slovakia (then Czechoslovakia), as well as Hungary, France, Romania and Spain. The series documents a period of post-war upheaval when Roma people were undergoing forced integration and persecution across Europe. Using a 25mm wide-angle lens, Koudelka was able to immerse himself in intimate settings and small spaces. Known as ‘Ikonar’ (maker of icons) by some of the communities he worked with, he captured Roma traditions, struggles and resilience in striking compositions.

Gallery label, March 2025

16/20
artworks in Photography & Environment

More on this artwork

Josef Koudelka, Czechoslovakia, Prague, August 21st, 1968. Warsaw Pact tanks invade Prague, near the Radio headquarters, crowds push back the first tank  1968

‘The Russian invasion of Czechoslovakia in August 1968 concerned my life directly. It was my country. I took these photographs for myself, not for a magazine. It was only by chance that they were published. I wasn’t a reporter. I had never photographed anything that you would call ‘news’. Suddenly, for the first time in my life, I was confronted with that kind of situation. I responded to it. I knew it was important to photograph, so I photographed.’

Taken with remarkable proximity, Josef Koudelka’s photographs were first shown to the international public the following year. For his safety, they were credited to ‘an unknown photographer’.

Gallery label, March 2025

17/20
artworks in Photography & Environment

More on this artwork

Josef Koudelka, Spain  1971

In Exiles, Josef Koudelka documents his travels across Europe after fleeing Czechoslovakia in 1970. He remained stateless until 1987 when he received French citizenship. This time in his life was characterised by a desire for freedom and a constant state of restlessness. According to Koudelka, he never stayed anywhere longer than three months. Exiles reflects his sense of displacement and discovery of both himself and his surroundings. His photographs of desolate landscapes, abandoned urban scenes and solitary moments show his understanding of complex composition and tone.

Gallery label, March 2025

18/20
artworks in Photography & Environment

More on this artwork

Josef Koudelka, At the Czechoslovak Radio Building, Vinohradská Avenue, Prague, August 1968  1968, printed 1970s

‘The Russian invasion of Czechoslovakia in August 1968 concerned my life directly. It was my country. I took these photographs for myself, not for a magazine. It was only by chance that they were published. I wasn’t a reporter. I had never photographed anything that you would call ‘news’. Suddenly, for the first time in my life, I was confronted with that kind of situation. I responded to it. I knew it was important to photograph, so I photographed.’

Taken with remarkable proximity, Josef Koudelka’s photographs were first shown to the international public the following year. For his safety, they were credited to ‘an unknown photographer’.

Gallery label, March 2025

19/20
artworks in Photography & Environment

More on this artwork

Josef Koudelka, France  1976

20/20
artworks in Photography & Environment

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Art in this room

P82783: Spain
Josef Koudelka Spain 1975
P21048: Ireland - Official View
Josef Koudelka Ireland 1970
P21049: Czechoslovakia, Slovakia, Zehra - Official View
Josef Koudelka Czechoslovakia, Slovakia, Zehra 1967
P82820: Czechoslovakia, Slovakia, Kendice - Official View
Josef Koudelka Czechoslovakia, Slovakia, Kendice 1966
P82823: Czechoslovakia, Slovakia, Zehra - Official View
Josef Koudelka Czechoslovakia, Slovakia, Zehra 1967
P21038: Ireland
Josef Koudelka Ireland 1976
P21039: Germany
Josef Koudelka Germany 1979
P21046: Czechoslovakia, Slovakia, Rakasy - Official View
Josef Koudelka Czechoslovakia, Slovakia, Rakasy 1966
P21047: Romania - Official View
Josef Koudelka Romania 1968
P82779: England
Josef Koudelka England 1976
P82780: Ireland
Josef Koudelka Ireland 1972
P82784: Wales
Josef Koudelka Wales 1974
P82781: Czechoslovakia
Josef Koudelka Czechoslovakia 1968
P82786: On 22 and 23 August, Wenceslas Square was Cleared of People, August 1968
Josef Koudelka On 22 and 23 August, Wenceslas Square was Cleared of People, August 1968 1968, printed 1970s
P82788: Defending the Czechoslovak Radio Building, Prague, August 1968
Josef Koudelka Defending the Czechoslovak Radio Building, Prague, August 1968 1968, printed 1970s
P82821: Czechoslovakia, Slovakia, Klenovec - Official View
Josef Koudelka Czechoslovakia, Slovakia, Klenovec 1967
P21051: Czechoslovakia, Prague, August 21st, 1968. Warsaw Pact tanks invade Prague, near the Radio headquarters, crowds push back the first tank - Official View
Josef Koudelka Czechoslovakia, Prague, August 21st, 1968. Warsaw Pact tanks invade Prague, near the Radio headquarters, crowds push back the first tank 1968
P82782: Spain
Josef Koudelka Spain 1971
P82787: At the Czechoslovak Radio Building, Vinohradská Avenue, Prague, August 1968
Josef Koudelka At the Czechoslovak Radio Building, Vinohradská Avenue, Prague, August 1968 1968, printed 1970s
P21040: France
Josef Koudelka France 1976

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