Skip navigation

Main menu

  • What's On
  • Visit
  • Art
    • Discover Art
    • Artists
    • Artworks
    • Stories
    Stories
    Stories

    Watch, listen and read

  • Learn
    • Schools
    • Tate Kids
    • Research
    • Activities and workshops
    Tate Kids
    Tate Kids

    Games, quizzes and films for kids

  • Shop
Become a Member
  • View All
  • Exhibitions And Displays
  • On Today
  • Events
  • Tate Modern
  • Tate Britain
  • Tate St Ives
  • Tate Liverpool
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • Families
  • Accessibility
  • Schools
  • Private tours
  • Discover Art
  • Artists
  • Artworks
  • Stories
  • Schools
  • Tate Kids
  • Research
  • Activities and workshops
Tate home page

Try searching for...

  • A Bigger Splash
  • James McNeill Whistler
  • Julio Le Parc
  • Tate Britain Commission 2026
  • Tate Membership

DON'T MISS

Exhibition

Frida: The Making of an Icon

Tate Modern
Until 3 Jan 2027
FREE FOR MEMBERS
Exhibition

Hurvin Anderson

Tate Britain
Until 23 Aug 2026
FREE FOR MEMBERS
Become a Member
This is a past display. Go to current displays
Yinka

Yinka Shonibare, The British Library, 2014 © Yinka Shonibare CBE

Yinka Shonibare CBE

Learn about the impact of immigration on British culture in The British Library

Yinka Shonibare CBE was born, studied and lives in London, but grew up in Lagos, Nigeria. He was awarded the CBE (Commander of the Most Excellent Order of the British Empire) in 2019 and has added the title to his professional name. His dual identity as British-Nigerian has been the starting point for much of his work. This is particularly true for The British Library, which contains more than 6,000 books.

Printed in gold on the spines of 2,700 of the books are the names of first or second-generation immigrants to Britain. Whether celebrated or lesser known, they have all made significant contributions to British culture and history. There are also books with the names of those who have opposed immigration. Other books are unmarked, suggesting that the story of immigration in Britain is still being written.

The books are bound in African wax print fabric, the artist’s signature material. The history of this fabric reveals a complex relationship between colonialism, cultural appropriation and national identity. It was developed in the nineteenth century in the Netherlands as a mass-produced imitation of the batik dyeing process used in Indonesia, a Dutch colony at the time. The cheaper, machine-made textiles were poorly received in Indonesia. In West and Central Africa, however, they were quickly adopted and absorbed into local traditions.

An important part of the installation is a website, which can be accessed from the tablets. It contains recent materials selected by the artist to present different viewpoints relating to immigration. You are invited to submit your own story, and a selection of visitors’ responses will be available to view on the website.

Read more

Tate Modern
Natalie Bell Building Level 2 West

Getting Here

1 February – 24 April 2022

Free
Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2026
All rights reserved