Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
This is a past display. Go to current displays
Joseph Beuys The End of the Twentieth Century 1983–5

Joseph Beuys The End of the Twentieth Century 1983–5

Joseph Beuys

See an artwork which addresses themes of finality and death, but also ideas of regeneration through nature

Blocks of basalt are arranged across the floor. Basalt is volcanic in origin, and Beuys associated it with the earth’s ancient energy and geological time. Beuys cut a conical hole in each of the slabs. He then ‘treated’ this ‘wound’ by lining the hollow with insulating clay and felt, before re-inserting the stone plugs. These filled cavities imply the potential for healing, suggesting the possibility of renewal at the end of a violent and destructive century.

Beuys saw art as central to all aspects of human existence. The installation developed out of Beuys’s project to encourage an ‘ecological awakening’ for humanity by planting 7,000 oak trees in Kassel, Germany. With the help of volunteers, he did this over five years from 1982. Blocks of basalt were placed next to each newly planted tree. Beuys said each sculpture was ‘a monument, consisting of a living part, the live tree, changing all the time, and a crystalline mass, maintaining its shape, size, and weight.

The End of the Twentieth Century is installed as a response to Tate’s 2019 declaration of a climate emergency. It celebrates the centenary of Beuys’s birth and his mission to effect global environmental and social change. His scheme of tree planting has spread throughout the world.

Read more

Tate Modern

Getting Here

Free

Find out more

  • Artist

    Joseph Beuys

    1921–1986
  • Social sculpture

    Social sculpture is a theory developed by the artist Joseph Beuys in the 1970s based on the concept that everything is art, that every aspect of life could be approached creatively and, as a result, everyone has the potential to be an artist

Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved