Join us for three sessions which will bring together scholars, researchers and curators to explore architectural production in the blurred era of independence to the post-colonial period of the mid-20th century, focussing on cities in Africa, Middle East and South Asia.
Whether driven by socialist agendas (Nehruvian in India and Nkrumah in Ghana), monarchies (Pahlavis in Iran and Hashemite in Iraq), quasi colonial protectorates, or pan-continental aspirations, architecture (and especially Modernism) was a key apparatus for nation-building, for re-imagining identities and a means to project and invent a new image of the future. The seminar seeks to explore the use of architecture as both physical infrastructure and symbolic expression, as well as its vulnerability to the vicissitudes of changing politics and policies of the times.
The role of cities as crucibles, vectors and catalysts for developing new expressions of identity, change and power is key. Cities in this period saw the emergence of schools of thought, dynasties and collaborations were formed, networks and ideas were shared and publications were disseminated. While the desire of a newly independent nation was often to consolidate a single national collective identity, it was through the urban centres that strands of coherent, yet often multiple identities were formed. The role of figures such as Rifat Chadirji, Mohamed Makiya, Jane Drew and Maxwell Fry were important as they often operated within multiple cities and cross-cultural contexts that spanned the colonial to postcolonial divide.
These urban centres were either newly built, or they were remade and reimagined through city infrastructure, government buildings, universities, cultural institutions and national monuments. Architecture schools, state sponsored projects and external agencies feed into the discussion and warrant further exploration. The seminar explores the transnational connections, diverse political agendas and complex allegiances which informed architectural development in this period.
- Iain Jackson, Professor of Architecture and Research Director, Liverpool School of Architecture
- Clara Kim, The Daskalopoulos Senior Curator, International Art, Tate Modern
- Nabila Abdel Nabi, Curator, International Art, Tate Modern
ProgrammeTuesday 2 March
Session 1: Crucibles, 15:00-16:30 (UTC)
- Building the Modern City: Expressions of Identity, Change and Power
- Moderated by Iain Jackson
This panel will explore state-sponsored programmes, planned cities and masterplans in cities such as Lagos, Tehran and Baghdad. It will examine architecture as expressions of nationalism and nationalist political agendas as well as its relationship to big business, corporations and mercantile ventures.
- Talinn Grigor (University of California, Davis)
- Building a (Cosmopolitan) Modern Iran
- Ola Uduku (Manchester School of Architecture)
- Lagos International Metropolis: A city’s adventure in tropical architecture as an expression of dynamic modernism and growth in the mid 20th century
- Lukasz Stanek (University of Manchester)
- Rupture, Transition and Continuity in Baghdad’s Master Plans: From Minoprio to Miastoprojekt
Session 2: Vectors, 17:00-18:30 (UTC)
- Connecting the Modern City: Networks, Alliances and Knowledge Production
- Moderated by Clara Kim
This panel will explore the practice of modern architecture through colonial-postcolonial networks and geopolitical alliances. It will explore cities in Mozambique within the context of other Lusophone countries, post-Partition East & West Pakistan, as well as the dissemination of knowledge and technical expertise through pedagogy.
- Ana Tostões (University of Lisbon)
- Correspondences, Transfers and Memory: Maputo’s “Age of Concrete”
- Farhan Karim (University of Kansas)
- Archaeology of the Future: Constantinos Doxiaidis in East and West Pakistan
- Patrick Zamarian (University of Liverpool)
- Global Perspectives and Private Concerns: The AA’s Department of Tropical Architecture
Tuesday 9 March
Session 3: Catalysts, 15:00-16:30 (UTC)
- Fragments of the Modern City: Memories, Echoes and Whispers
- Moderated by Osei Bonsu
This panel will explore the collaborations, connections and entanglements that developed between art and architecture during a dynamic period of building in Morocco, India and Iraq. It will examine the legacy and afterlives of these projects through the investigation of under-recognised figures and narratives in art and architecture.
- Lahbib el Moumni & Imad Dahmani (founders of MAMMA, Mémoire des Architectes Modernes Marocain)
- Initiatives toward saving modern heritage of Morocco
- Ram Rahman (Photographer/Curator)
- Building Modern Delhi, The Nehruvian Post-Independence Renaissance
- Amin Alsaden (Independent Scholar)
- Syntheses Across Disciplines: Rifat Chadirji and Art-Architecture Liaisons in Modern Baghdad
This event is organised by Hyundai Tate Research Centre: Transnational and Liverpool School of Architecture.