These posts provide curators and researchers with the opportunity to remain within the region they are working in and carry out field research in relevant areas for Tate.

The current Hyundai Tate Research Centre: Transnational Adjunct Curators are Portia Malatjie and Pablo José Ramirez.

Portia Malatjie is Adjunct Curator, Africa and African Diaspora

Portia Malatjie’s research focuses on expressions of African conceptions of blackness – with an emphasis on the sonic and the temporal – in contemporary African artistic practice. At the core of her research is how African spiritual practices, fugitivity, spectrality, and technology are mobilised as modes of black refusal. Portia has curated work by Helen Sebidi, Dineo Seshee Bopape, Yinka Shonibare CBE and Kemang Wa Lehulere. She is working towards a co-curated extensive research and exhibition project that instrumentalises black feminist theory to correct the exclusion of black South African women artists from a broader art history. Portia will soon be taking up a position as Lecturer in Art History and Discourse of Art at the University of Cape Town, where she will be based. She will work closely with the curatorial team at Tate Modern, including Osei Bonsu, Curator, International Art, and with the Africa Acquisitions Committee. Portia has an MA and BA from the University of Witwatersrand in Johannesburg and is completing her PhD in Visual Cultures at Goldsmiths, University of London.

Pablo José Ramirez is Adjunct Curator, First Nation and Indigenous Art

Pablo José Ramirez is a researcher and curator in the field of indigenous contemporary art practices and is based in Guatemala. His work revisits Latin American post-war societies to consider non-western epistemologies, indigeneity and transnationalism. In 2014 he worked alongside Cecilia Fajardo-Hill curating the 19th Bienal de Arte Paiz: Transvisible. He was the recipient of the Colección Patricia Phelps de Cisneros and Independent Curators International 2019 Research Award for Central America and the Caribbean. Among his exhibitions are: The Shores of the World: on communality and interlingual politics, Display, Prague (2018); Guatemala Después, co-curator Sheila C. Johnson Design Center, Parsons School of Design, New York (2016); This Might be a Place for Hummingbirds, co-curator, Centre for Contemporary Arts, Glasgow (2015). Pablo will work closely with colleagues across the curatorial team at Tate Modern, including Michael Wellen, Curator, International Art and with the Latin America Acquisitions Committee and the North America Acquisitions Committee. He holds an MA in Contemporary Art Theory from Goldsmiths, University of London.

This programme provides academics and curators with the opportunity to develop their independent research that aligns with Tate’s research interests.

Updates will be posted here when new Fellows are in place.

Integrated within Tate Modern’s Curatorial team, the Centre’s core team work with the wider Curatorial team to lead or contribute to exhibitions, collection displays, acquisitions and public events. The Centre’s core team also work closely with the Learning & Research and Digital departments as well as other colleagues at Tate Britain, Tate Liverpool and Tate St Ives, to connect Tate with a wide network of peers and academic partners.

The Centre is led by Dr Sook-Kyung Lee, Senior Curator, International Art (Hyundai Tate Research Centre: Transnational). Lee has had responsibilities for the research and acquisition of art from the Asia-Pacific region for the Tate collection and previously headed Tate Research Centre: Asia (2012–16). As Exhibitions & Displays Curator at Tate Liverpool she curated several exhibitions and collection displays such as Doug Aitken: The Source and Thresholds. Lee also served as the Commissioner & Curator of the Korean Pavilion for the 56th Venice Biennale. She recently curated Nam June Paik, which opened at Tate Modern in October 2019 and will tour in Europe, USA and Asia, co-organised by Tate Modern and the San Francisco Museum of Modern Art.

Curators Nabila Abdel Nabi and Devika Singh are embedded in Tate Modern’s Curatorial team to carry out acquisition and programme related curatorial work, with a focus on the Centre’s aim of contributing to the development of the ‘transnational’ framework.

Nabila Abdel Nabi is an art historian and curator based in London. She is currently Curator, International Art at Tate. She was previously Associate Curator at The Power Plant, Toronto and prior to that she was Gallery Manager at The Third Line, Dubai. She has worked on solo exhibitions and facilitated new commissions by artists including Hajra Waheed, Vivian Suter, Omar Ba, Emeka Ogboh, Abbas Akhavan, Kapwani Kiwanga, Karla Black, Michael Landy, Kader Attia, Amalia Pica and Jonathas de Andrade, among others. She recently curated the exhibition Hold Everything Dear at The Power Plant, Toronto. She holds an MA from the Courtauld Institute of Art and a BA from the University of Chicago.

Devika Singh is currently Curator, International Art at Tate. Her work focuses on modern and contemporary art and architecture in South Asia and the global history of modernism. Singh was Smuts Research Fellow at the Centre of South Asian Studies of the University of Cambridge and a fellow at the Centre allemand d’histoire de l’art in Paris. She holds a PhD from Cambridge and was a visiting fellow at the French Academy at Rome, the Freie Universität and the Kluge Center of the Library of Congress. She has published widely in journals and exhibition catalogues. Recent exhibitions curated by Singh include Planetary Planning at Dhaka Art Summit (2018); Gedney in India at CSMVS, Mumbai (2017) and Duke University (2018); and Homelands: Art from Bangladesh, India and Pakistan at Kettle’s Yard, Cambridge (2019).

The Centre’s activities are devised and managed by Emma Jones, Research Manager.

Steering Committee

The Centre is guided by Tate’s internal Steering Committee, which consists of Tate-wide directors and senior members of staff with expertise in Tate’s core activities including the collection, displays and exhibitions, research and national and international partnerships. The Steering Committee members input into and steer the Centre’s strategy and output and align our events with Tate’s programmes at all Tate sites: Tate Modern, Tate Britain, Tate Liverpool and Tate St Ives.

Chair

Achim Borchardt-Hume, Director of Exhibitions & Programmes, Tate Modern

Members

Anna Cutler, Director of Learning and Research
Cecile de Cormis, Head of Corporate Development
Mark Godfrey, Senior Curator, International Art (Europe and Americas)
Clara Kim, The Daskalopoulos Senior Curator, International Art (Africa, Asia & Middle East)
Sook-Kyung Lee, Senior Curator, International Art (Hyundai Tate Research Centre: Transnational)
Gregor Muir, Director of Collection, International Art, Tate Modern
Emily Pringle, Head of Research
Charlotte Reeves, Head of Corporate Partnerships
Andrea Schlieker, Director of Exhibitions and Displays, Tate Britain
Clarrie Wallis, Senior Curator, Contemporary British Art

Advisory Board

The Centre is also supported by an Advisory Board, which consists of external academics working in the field of transnational art history. The role of the Board is to advise and steer the Centre’s strategic direction and to help develop a wider network in academia and artistic communities across the world.

Chair

Frances Morris, Director, Tate Modern

Members

Professor Oriana Baddeley (University of the Arts London)
Professor Monica Juneja (Heidelberg University)
Professor Christian Kravagna (Academy of Fine Arts Vienna)
Professor Chika Okeke-Agulu (Princeton University)
Professor Ming Tiampo (Carleton University)

Hyundai Tate Research Centre: Transnational
Tate Modern
Bankside
London SE1 9TG
+44 (0)20 7401 5038

Odessa Warren, Research Coordinator
odessa.warren@tate.org.uk