Free Tate Britain Exhibition

Tate Britain Commission Heather Phillipson RUPTURE NO 1: blowtorching the bitten peach

This exhibition is included in all one-way routes through Tate Britain

a fire canister floats in a pink cloudy sky

Image courtesy of the artist

Heather Phillipson engulfs Tate Britain’s grand central galleries with colour, sound and motion

Tate Britain Commission: Heather Phillipson: Rupture No.1: blowtorching the bitten peach © Tate photography (Oliver Cowling)

Tate Britain Commission: Heather Phillipson: Rupture No.1: blowtorching the bitten peach © Tate photography (Oliver Cowling)

Tate Britain Commission: Heather Phillipson: Rupture No.1: blowtorching the bitten peach © Tate photography (Oliver Cowling)

Tate Britain Commission: Heather Phillipson: Rupture No.1: blowtorching the bitten peach © Tate photography (Oliver Cowling)

In her words, she is proposing the spaces as a sequence of ‘charged ecosystems, maladaptive seasons and unearthed lifeforms’.

She reimagines the galleries as alive, and happening in a parallel time-zone. Mutant creatures, built from technological remains, populate the space.

Described by Phillipson as a ‘pre-post-historic environment’, the work and its title evoke an abundance of sensations and associations that resist coherence. The artist says she is attempting to ‘cultivate strangeness, and its potential to generate ecstatic experience’.

Phillipson’s work often involves collisions of wildly different imagery, materials and media.

Through multiple, unexpected combinations, she conjures absurd and complex systems. Here, salvaged machines, colossal papier-mâché sculptures and hand-painted scenes are layered with digital video and sound. Mountains of salt, bisected aircraft fuel tanks, mobile gas canisters, rotating anchors and shapeshifting roof vents are doused with tinted light. Everything is remixed and redeployed.

Phillipson’s multimedia projects include video, sculpture, installation, music, poetry and digital media. She describes her works as ‘quantum thought experiments’. They often carry an underlying sense of threat – a suggestion that, in the artist’s words, ‘received ideas, images and the systems that underpin them may be on the verge of collapse’.

Tate Britain Commission: Heather Phillipson is supported by AGC Equity Partners, with additional support from the Tate Britain Commission: Heather Phillipson Supporters Circle and construction support from Unusual Rigging Ltd.

Please read our safety guidelines below before you visit.

This is an immersive installation which includes sudden loud noises. Ear defenders can be borrowed from the Ticket desks.

Tate Britain's Manton Entrance is on Atterbury Street. It has automatic sliding doors and there is a ramp down to the entrance with central handrails.

This exhibition is on the main level. There is a lift on the lower floor.

  • Accessible and standard toilets are located on the lower floor

  • Changing Places toilets are currently not available at Tate Britain

For more information before your visit:

Email hello@tate.org.uk

Call +44 (0)20 7887 8888 – option 1 (daily 09.45–18.00)

Check all Tate Britain accessibility information

Visitor numbers are being carefully managed to ensure that your visit is as safe and comfortable as possible. There are increased cleaning regimes in high use areas and protective screens on desks and counters. We are only accepting card or contactless payments and have installed hand sanitiser dispensers throughout the gallery.

When you visit please:

  • Keep your distance from others,
  • Follow the one-way route,
  • Act on any guidance our team may give you,
  • Limit your party to six people or two households only

All visitors are required to wear face coverings in our galleries, apart from those who are exempt. Not all exemptions are visible so please be understanding of others.

Most importantly if you are feeling unwell, help keep everyone safe by staying at home.

For more information take a look through our frequently asked questions.

Tate Britain

Duveen Galleries

Millbank
London SW1P 4RG
Plan your visit

Dates

23 March 2021 – 23 January 2022

  • Timed tickets must be booked before visiting
  • All visitors including Members need to book a ticket

Pricing

Free with ticket

This exhibition is included in all one-way routes through Tate Britain.

Take a look at the different options and book your timed ticket:

Book for British Art 1930–now

Book for British Art 1540–1890

Please note that this is an immersive installation which includes sudden loud noises.

Supported by

With additional support from

The Tate Britain Commission: Heather Phillipson Supporters Circle

Alexandra Howell

and construction support from Unusual Rigging