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Tate Britain Exhibition

John Martin: Apocalypse

21 September 2011 – 15 January 2012
John Martin exhibition banner

About the exhibition

Visionary, eccentric, populist and epic, John Martin was a controversial but key figure in nineteenth century art. Like his canvases, this wildly dramatic artist with his visions of heaven and hell, was larger than life.

Organised in partnership with the Laing gallery, Newcastle, this is the first major exhibition dedicated to Martin's work in over 30 years. It brings together his most famous paintings of apocalyptic destruction and biblical disaster from collections around the world, as well as previously unseen and newly-restored works.

Hugely popular in his time, Martin was derided by the Victorian Art establishment as a 'people's painter', for although he excited mass audiences with his astounding scenes of judgement and damnation, to critics it was distasteful. In a sense ahead of this time, his paintings – full of rugged landscapes and grandiose theatrical spectacle – have an enduring influence on today's cinematic and digital fantasy landscapes.

This exhibition presents a spectacular vision, capturing the full drama and impact of John Martin's paintings as they were originally displayed. Just as in the nineteenth century, these epic and often astounding works must be seen to be believed.

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TateShots: John Martin curatorial walkthrough

This eye-boggling show is not to be missed *****
The Mail on Sunday, 2 October 2011

A thunderously entertaining painter of death, destruction and doom ****

The Sunday Telegraph, 25 September 2011

Martin's paintings anticipate biblical epics and disaster, movies and CinemaScope; sci-fi illustrations, concept albums and heavy metal graphics; Spider Man and the avatars of video games. Film directors have acknowledged the immense debt, from D.W. Griffith to Cecil B. DeMille and Roland Emmerich

The Observer, 25 September 2011

An astounding survey... Tate Britain rather wonderfully is trying to recreate the theatrical, proto-cinematic effect of the paintings in a son-et-lumiere display... their spectacle retains its force even in the age of 3D cinema.
The Mail on Sunday, 2 October 2011

Tate Britain

Millbank
London SW1P 4RG
Plan your visit

Dates

21 September 2011 – 15 January 2012

Find out more

  • John Martin The Destruction of Sodom and Gomorrah 1852

    AAAARGH!

    Jonathan Griffin

    John Martin is best known for his dramatic scenes of apocalyptic destruction and biblical catastrophe. During his life his work was shown across the world, but critical opinion remained divided. The writer Edward Bulwer-Lytton thought he was “the greatest, most lofty, the most permanent, the most original genius of the age”, while John Constable described him as “a painter of pantomimes”. On the eve of Martin’s exhibition at Tate Britain – the largest display of his works since 1822 – Tate Etc. explores his enduring influence on artists and filmmakers

  • John Martin Sadak in Search of the Waters of Oblivion 1812

    Kings of the vast

    Ian Christie

    In the early nineteenth century a fashion for enormous paintings flourished, and artists including Martin, Benjamin Haydon and Francis Danby showed their huge pictures to an adoring public. These painters lived in a newly competitive age of showmanship and spectacle, typified by the panorama and diorama that flourished in the late Georgian and Regency period

  • Artist

    John Marin

    1870–1953
  • Discounted exhibition audio guides when book online

  • John Martin on the Great British Art Debate Blog

  • Artwork

    The Plains of Heaven

    John Martin
    1851–3
  • Artwork

    The Great Day of His Wrath

    John Martin
    1851–3
    On display at Tate Britain Part of Historic and Modern British Art
  • Artwork

    The Last Judgement

    John Martin
    1853
    On display at Tate Britain Part of Historic and Modern British Art
Artwork
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