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Tate Britain Exhibition

William Turnbull

14 June – 26 November 2006
William Turnbull Installation

William Turnbull installation photo

Views of this exhibition © Tate 2006

William Turnbull Installation

William Turnbull Installation10

William Turnbull Installation

William Turnbull Installation9

William Turnbull Installation

William Turnbull Installation1

William Turnbull Installation

William Turnbull Installation2

William Turnbull Installation

William Turnbull Installation3

William Turnbull Installation

William Turnbull Installation4

William Turnbull Installation

William Turnbull Installation5

William Turnbull Installation

William Turnbull Installation6

William Turnbull Installation

William Turnbull Installation7

William Turnbull Installation

William Turnbull Installation8

William Turnbull Installation

William Turnbull Installation8

William Turnbull Installation

William Turnbull Installation11

William Turnbull Installation

William Turnbull Installation12

William Turnbull is one of the most influential modern British sculptors. The work on display range from examples of Turnbull’s earliest works, made in Paris shortly after the war, to some of his most recent. Turnbull has worked in a variety of materials, including plaster, bronze, wood, steel and plastic. One of his most abiding concerns is with the totemic and many sculptures show his fascination in the cultures of ancient Greece, West Africa and South-East Asia. His work can also be playful, however, brightly coloured or even interactive. Everything he makes has an aesthetic and intellectual elegance and involves the exploration of the fundamentals of sculpture itself.

The earliest works shown here, made in Paris in the late 1940s, reflect Turnbull’s contact with artist Alberto Giacometti and his fascination with Existentialist philosophy. The sculptures from this period experiment with ideas of variability, games and they sometimes possess a sense of the ridiculous. Turnbull’s interest in the different ways of experiencing the world was influenced by his activity as a pilot and swimmer.

Later, Turnbull felt his linear sculptures were too theoretical. Beginning with a series of Masks 1953, he developed work concerned primarily with surface. He pushed found objects into clay moulds so that there was an element of chance in the final image. Randomness is an abiding characteristic of Turnbull’s sculpture and can be seen in works like Spring Totem 1962–3, in which different elements are arranged in a variety of ways.

Tate Britain

Millbank
London SW1P 4RG
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Dates

14 June – 26 November 2006

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  • Artist

    William Turnbull

    1922–2012
Artwork
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