Tate Modern Exhibition

Dora Maar

surreal black and white photograph of a hand coming out of a shell on a beach.

Dora Maar Untitled (Hand-Shell) 1934 © Estate of Dora Maar / DACS 2019, All Rights Reserved

The most comprehensive retrospective of Dora Maar ever held

During the 1930s, Dora Maar’s provocative photomontages became celebrated icons of surrealism.

Her eye for the unusual also translated to her commercial photography, including fashion and advertising, as well as to her social documentary projects. In Europe’s increasingly fraught political climate, Maar signed her name to numerous left-wing manifestos – a radical gesture for a woman at that time.

Her relationship with Pablo Picasso had a profound effect on both their careers. She documented the creation of his most political work, Guernica 1937. He painted her many times, including Weeping Woman 1937. Together they made a series of portraits combining experimental photographic and printmaking techniques.

In middle and later life Maar withdrew from photography. She concentrated on painting and found stimulation and solace in poetry, religion, and philosophy, returning to her darkroom only in her seventies.

This exhibition will explore the breadth of Maar's long career in the context of work by her contemporaries.

The exhibition is organised by Tate Modern, Centre Pompidou, Paris and the J. Paul Getty Museum, Los Angeles

Tate Modern

London SE1 9TG
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20 November 2019 – 15 March 2020

With additional support from

Tate Americas Foundation

Tate Patrons

and Tate Members

With thanks to

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The Guardian
The Times
The Telegraph

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