Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
Tate Modern Conference

Inside/outside: materialising the social

21 July 2012 at 11.30–18.40
A video installation: two projections of groups of people on white walls with the projecting equipment in the centre of the room

Museum and me, Liu Ding, 2011Video installation

Image courtesy of Guangdong Times Museum

The ritual encounter with an artwork – be it in a museum, gallery, private or public space – has evolved dramatically over the last century: from the contemplation of an object, to immersive installation, performance or participation.

Nicholas Bourriaud's term 'relational aesthetics' referred specifically to work that took social relations as its basic medium. This kind of work usually took place within the walls of the designated art space, and operated in relation to the behavioural rules of that particular mindset (even if working against them). What, then, does it mean when an artist's work intervenes in the social and political relationships that exist in the real world of everyday life? How can this be brought into the museum, how can it be displayed and how does it relate to the social rituals engendered by the architecture and rules of the specialist space.

Inside/Outside: Materialising the Social will examine the ways in which these codes and boundaries have been tested in the work of a number of different artists in the past decades, and how they have been theorised by key thinkers and writers.

Participants include Leo Asemota, Jelili Atiku, Claire Bishop, Katy Fitzpatrick, Abigail Hunt, Shannon Jackson, Suzanne Lacy, Lin Chi-Wei, Liu Ding, Mark Miller, Kieren Reed, Alex Schady, Susan Sheddan, Emma Smith and Dorothea von Hantelmann.

  • Download the day's programme

Part of the series The Tanks: Art in Action

Tate Modern

The Tanks

Bankside
London SE1 9TG
Plan your visit

Date & Time

21 July 2012 at 11.30–18.40

Find out more

  • Sung Hwan Kim, Washing Brain and Corn 2010

    Sung Hwan Kim

    A new installation by Sung Hwan Kim to inaugurate Tank 1, the new venue space at Tate Modern, July - November 2012

  • Aldo Tambellini's Black Zero performance in The Tanks, Tate Modern

    Playing in the Shadows

    This deconstructed symposium expands the notion of projection as performance, touching concepts of phantasmagoria and our primal connection to the play of light and shadows

  • Inside/Outside conference videos

  • All articles about The Tanks

  • All blogs about The Tanks

Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved