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Tate Modern Exhibition

Joseph Beuys: Actions, Vitrines, Environments

4 February – 2 May 2005
Joseph Beuys The Pack

Joseph Beuys, The Pack 1969

Staaliche Museen Kassel, Neue Galerie. © DACS, 2005

Joseph Beuys The Pack

Joseph Beuys The Pack

Beuys strongly believed that art had the power to shape a better society and once stated that 'It was simply impossible for human beings to bring their creative intention into the world any other way than through action." This strength of conviction led Beuys to push the boundaries of established artforms to include human action and large-scale sculptural environments exploring universal social concerns.

Joseph Beuys: Actions, Vitrines, Environments focuses on three areas of Beuys' work which became increasingly central to his artistic output during the second half of his career. Through his performances or 'Actions', Beuys encouraged audiences to incorporate his political and social messages into their everyday lives. The exhibition includes photographic and hand-written records from these momentous and transient events. Also included are a number of Beuys's vitrines, in which the artist used the display cases commonly found in museums to present objects which he considered to be socially significant. He regularly worked with felt, animal fat and wax believing them to be of universal relevance to the human struggle for survival. From the early 1970s, Beuys increasingly made larger scale, room-size installations or 'environments' of which the pack is a seminal example. Consisting of a VW van from which spill twenty-four sledges, each with a roll of felt, a lump of fat and a flashlight, this work explores the concept of human survival in the face of technological failure.

This exhibition is a rare opportunity to explore at first-hand the artistic output of this iconic figure whose radical vision changed the cultural landscape of the late twentieth century.

Exhibition organised by the Menil Collection, Houston in collaboration with Tate Modern.

Tate Modern

Bankside
London SE1 9TG
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Dates

4 February – 2 May 2005

Sponsored by

Tate International Council

Tate International Council

In partnership with

The Independent

The Independent

Find out more

  • Joseph Beuys on the cover of Der Spiegel 5 November 1979

    The legacy of a myth maker

    Francesco Bonami

    Joseph Beuys is considered by some as the most important of the post-war period – a sculptor, performance artist, teacher and political activist who shifted the emphasis away from the artist as ‘object maker’ to focus on his opinions, his personality and his actions. To others he was a conman and a showman. Francesco Bonami explores how contemporary artists have both borrowed from and developed his approach

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    Katie Guggenheim Recordings - Joseph Beuys

    Working with six actors and using published interviews as scripts, artist Katie Guggenheim re-staged conversations with some of the twentieth century's most revered artists.

  • For Joseph Beuys the day of his death

    Rebecca Horn

    For Joseph Beuys the day of his death; Rebecca Horn's poem for Joseph Beuys. Tate Etc. issue 3

  • Beuys is Dead: Long Live Beuys! Characterising Volition, Longevity, and Decision-Making in the Work of Joseph Beuys

    Alison Bracker and Rachel Barker

    Joseph Beuys’s use of unconventional materials, such as felt, wax, and fat, characterise his artworks. Whilst museums strive to obtain artists’ instructions regarding their objects’ life-span and care, Beuys’s preferences were largely unrecorded or inconsistent. The three case studies of Beuys works presented here explore museum decision-making when confronted with unclear artist attitudes to conservation intervention, and objects evincing material and conceptual decay.

  • Blank Image (for use as default)

    Joseph Beuys: The Revolution Is Us

    Joseph Beuys: The Revolution Is Us: past exhibition at Tate Liverpool

  • Artist

    Joseph Beuys

    1921–1986
Artwork
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