Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
Tate Modern Film

Karimah Ashadu: Plateau

1 June 2022 at 18.30–20.15
A man standing at a quarry

Karimah Ashadu, Plateau 2022, film still. Courtesy the artist

A motion-based journey into Nigerian landscapes

Join us for the UK premiere of Karimah Ashadu’s new film Plateau, presented alongside three shorts, and a conversation with the artist.

The four films presented in this survey are connected through their focus on movement. Opening with three of the artist’s early short films, the series highlights Ashadu’s unconventional cinematographic practice, which studies and appropriates motion devices as tools towards new perspectives on labour in West Africa.

Her short films plunge viewers into three successive urban environments – the butchers’ stalls, a sandy lagoon and a soccer field – captured through a unique and playful formal language. Produced using handmade camera devices, such as rotating tripods, coloured filters, and magnifying lenses, they offer uncanny visions of Lagos, the economic capital of Nigeria. The artist’s camera pans and rotates mechanically, giving presence to the rhythm of the device which buttresses each work. Its mechanism comes to mirror the labour it records.

Plateau, Ashadu’s most recent work, takes place in a tin and columbite mine in central Nigeria, near the city of Jos. The region's natural resources were exploited by the British empire from the mid-nineteenth century until Nigeria’s independence in 1960, and formally ended with the expiration of the International Tin Agreement in 1985. As the market collapsed, workers became jobless and organised to administrate the land for themselves. In Plateau, Ashadu questions the region’s extractive history and its effects on landscapes and bodies, wielding together portraits of miners and dynamic shots of Nigerian ponds and quarries. Discussing the work, the artist mentioned having ‘looked for ways to consider labour as a kind of a practice towards independence.’

Programme

  • Introduction
  • Karimah Ashadu, King of Boys (Abattoir de Makoko) 2015, HD colour video, sound, 5 minutes
  • Karimah Ashadu, Lagos Sand Merchants 2013, HD colour video, sound, 9 minutes
  • Karimah Ashadu, Apapa Amusement Park 2013, HD colour video, sound, 2 minutes
  • Conversation with Karimah Ashadu, 25 minutes
  • Karimah Ashadu, Plateau 2022, HD colour video, sound, 30 minutes, captioned

Karimah Ashadu (b.1985, UK/Nigeria) is an artist based between Hamburg and Lagos. Her work explores themes of labour, independence and exploitation through vignettes, filmic motion devices, and large-scale video installations. Her films rely on intricate compositions and dynamic editing to shed light on the numerous effects of colonialism and patriarchy still visible in the landscape, as well as in the social, cultural, and economic context of West Africa. Ashadu’s films have been exhibited and screened at institutions internationally, including Kunstverein, Hamburg; Galerie für Zeitgenössische Kunst, Leipzig; Museum of Modern Art, New York and Centre d’Art Contemporain, Geneva.

All events in the Starr Cinema have a step-free access route available, space for wheelchairs and a hearing loop. Works screened as part of the Starr Cinema programme will be captioned.

Tate Modern's entrance is via the Turbine Hall on Holland Street. There are automatic sliding doors and a ramp down to the entrance.

  • Fully accessible toilets are located on every floor on the concourses.
  • A quiet room is available to use in the Natalie Bell Building on Level 4.
  • Ear defenders can be borrowed from the Ticket desks.

To help plan your visit to Tate Modern, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.

For more information before your visit:

Email hello@tate.org.uk

Call +44 (0)20 7887 8888 – option 1 (daily 09.45–18.00)

Check all Tate Modern accessibility information

Tate Modern

Starr Cinema

Cafe entrance

Bankside
London SE1 9TG
Plan your visit

Date & Time

1 June 2022 at 18.30–20.15

Sponsored by

Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved