Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
Tate Modern Film

From My Institution to Yours: A Video Tribute to Mike Kelley

31 August 2012 at 13.00–22.00
1 September 2012 at 13.00–23.00
A man in a hat looking straight at the camera

Mike Kelley, The Banana Man, 1983

Courtesy Electronic Arts Intermix (EAI), New York

  • Friday 31 August, 12.00–21.00
  • Saturday 1 September, 12.00–22.00
  • Find out more

As a tribute to the influential American artist, Mike Kelley (1954-2012), Tate Modern hosts a two-day survey of videos by and with Kelley, to coincide with the opening of a new display in the Poetry and Dream collection wing, featuring Kelley’s 1994 installation Channel One, Channel Two and Channel Three and documentation of his early performance works.

Kelley’s art is rooted in abjection, ritual and cunning ambiguity. It lays bare mechanisms of representation and communication, revealing cultural blind spots through the use of vernacular language and imagery, particularly drawing on American crafts and subcultures. His layered imagery, hijacked from sources as diverse as folk and outsider art, DIY manuals, comics, genre fiction, spiritualism, Ufology, pop psychology, punk, glam and psychedelia, is fused together through the use of a broad range of media, including drawing, performance, video, photography, painting, sculpture, sound, installation and writing. These elements are never simply appropriated, nor dissected in the manner of detached social commentary. From his early paintings and performances made while a student at CalArts to increasingly complex sculptures and multimedia installations, Kelley’s work confronts the viewer with unexpected associations and sabotages expectations, often to tragicomic effect.

This attitude is also evident in his video works, from the early The Banana Man (1983), where Kelley poses as the character of a kids’ TV show he has never seen, to the epic Day is Done (2005-06), a stage musical entirely derived from photographs of costumed people found in high school yearbooks and originally planned to have a running time of 24 hours.

The programme equally demonstrates Kelley’s penchant for collaboration, through the inclusion of videos made together with Ericka Beckmann, Tony Conrad, Bob Flanagan and Sheree Rose, Paul McCarthy, Tony Oursler, Anita Pace, Raymond Pettibon, Michael Smith, Bruce and Norman Yonemoto, and Cary Loren, founding member with Kelley of Detroit’s seminal noise band Destroy All Monsters.

  • Download the programme notes (PDF, 1Mb)

With thanks to the Mike Kelley Foundation for the Arts, Electronic Arts Intermix (EAI) and Cary Loren.

Friday 31 August, 12.00–21.00

  • Mike Kelley, Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011, 25:14 min, colour, sound
  • Mike Kelley, Extracurricular Activity Projective Reconstruction #36b (Made in England), 2011, 27:58 min, colour, sound
  • Mike Kelley, The Judson Church Horse Dance, 2011, 70 min, colour, sound
  • Mike Kelley and Michael Smith, A Voyage of Growth and Discovery, 2010, 1 hr 30 min, colour, sound
  • Mike Kelley, Day Is Done, 2005–2006, 2 hr 49 min, colour, sound
  • Mike Kelley, The Bridge Visitor (Legend-Trip), 2004, 17:53 min, colour, sound
  • Mike Kelley, Extracurricular Activity Projective Reconstruction #1 (Domestic Scene), 2000, 29:44 min, b&w, sound
  • Mike Kelley, Runway for Interactive DJ Event, 2000, 48:23 min, colour, sound
  • Mike Kelley, Superman Recites Selections from 'The Bell Jar' and Other Works by Sylvia Plath, 1999, 7:19 min, colour, sound
  • Mike Kelley and Paul McCarthy, Sod and Sodie Sock (Vienna Cut), 1999, 17:38 min, colour, sound

Saturday 1 September, 12.00–22.00

  • Mike Kelley, Cross Gender/Cross Genre (Parts 1 and 2), 1999, 1 hr 59:06 min, colour, sound
  • Mike Kelley and Paul McCarthy, Out O' Actions, 1998, 4:25 min, colour, sound
  • Cary Loren with Destroy All Monsters, Strange Früt, 1998, 1 hr, colour, sound
  • Mike Kelley and Paul McCarthy, Fresh Acconci, 1995, 45 min, colour, sound
  • Mike Kelley, Tony Oursler and Anita Pace, Pole Dance, 1997, 1997, 31:18 min, colour, sound
  • Mike Kelley and Paul McCarthy, Heidi, 1992, 62:40 min, colour, sound
  • Mike Kelley and Paul McCarthy, Heidi’s Four Basket Dances, 1992/2001, 15 min, colour, sound
  • Mike Kelley, Bob Flanagan and Sheree Rose, 100 Reasons, 1991, 6:41 min, colour, sound
  • Mike Kelley and Ericka Beckman, Blind Country, 1989, 19:57 min, colour, sound
  • Raymond Pettibon, Sir Drone, 1989, 55:37 min, colour, sound (feat. Mike Kelley and Mike Watt)
  • Mike Kelley and Paul McCarthy, Family Tyranny (Modeling and Molding), 1987, 8:08 min, colour, sound
  • Mike Kelley and Paul McCarthy, Cultural Soup, 1987, 6:55 min, colour, sound
  • Mike Kelley and Bruce and Norman Yonemoto, Kappa, 1986, 26 min, colour, sound
  • Tony Oursler, EVOL, 1984, 28:58 min, colour, sound (feat. Mike Kelley)
  • Tony Conrad with Mike Kelley, Beholden to Victory, 1980–83, 26 min, colour, sound
  • Mike Kelley, The Banana Man, 1983, 28:15 min, colour, sound

Part of the series: The Tanks: Art in Action

Tate Modern

Bankside
London SE1 9TG
Plan your visit

Dates

31 August 2012 at 13.00–22.00

1 September 2012 at 13.00–23.00

Find out more

  • Sung Hwan Kim, Washing Brain and Corn 2010

    Sung Hwan Kim

    A new installation by Sung Hwan Kim to inaugurate Tank 1, the new venue space at Tate Modern, July - November 2012

  • Aldo Tambellini's Black Zero performance in The Tanks, Tate Modern

    Playing in the Shadows

    This deconstructed symposium expands the notion of projection as performance, touching concepts of phantasmagoria and our primal connection to the play of light and shadows

  • Mike Kelley in Art & artists

  • All articles about The Tanks

  • All blogs about The Tanks

  • The Tanks: Events programme

Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved