Hélio Oiticica
Metaesquema (1958)
Tate
Tate is committed to obtaining consent from copyright holders for content to be published. Sometimes, despite carrying out due diligence in trying to trace rights holders, their identity or location remains unknown. This results in so-called ‘orphan works’. Tate believes that illustrating such orphan works online is one of the best ways to discover copyright holders. If you have contact details of copyright holders for the following artists, please email copyright@tate.org.uk:
Tate collection
Arnold Auerbach, 1898-1978
Eugène Berman, 1899-1972
Bridget Bond
Simon Bussy, 1870–1954
Claude Cahun, 1894–1954
Katherine Cameron, 1874-1965
Georg Ehrlich, 1897–1966
Charles Ginner, 1878–1952
Cuthbert Hamilton, 1885-1959
Sir Gerald Kelly, 1879-1972
Edwin La Dell, 1914-1970
Maurice Lambert, 1901–1964
Arnold Mason, 1885–1963
Reuben Mednikoff, 1906–1975
Howard Mehring, born 1931
Ivor Roberts-Jones, 1916-1996
Franz Roh, 1890–1965
Scottie Wilson, 1889–1972
Edwin Whitney-Smith, 1880-1952
Tate Archive collection
TGA 969
- Mary Bernard, dates unknown
- Francisco Blanco, dates unknown
- Winifred M Le Bailly, 1867–1949
- Gerry Liebling, dates unknown
- Barbara Shapleigh, dates unknown
- Kathleen Sherman Heath, dates unknown
- Joseph Thorp, dates unknown
- Anna Wickham, 1884–1947
Unknown
- TGA 969/2/6, Page 143
- TGA 969/2/6, Page 323
TGA 9019
- Agnes Tuke, dates unknown
- R Noton Barclay, 1872–1957
- Canon H Y Ganderton, –1975
- Sidney Newbery, 1894–1985
- Harvey Barton & Sons, 1885–1960
- Button, Stevens & Witty, dates unknown
- F Stanley Smith, dates unknown
- Stanley Towsey, dates unknown
- Osborne Studios (Falmouth) Ltd, dates unknown
- Valentines of Dundee, dates unknown
- Thomas Cooper Gotch, 1854–1931
- Herman Broeckaert, 1878–1930
- Caroline Burland Gotch, 1854–1945
- Phyllis Maureen Gotch, 1882–1963
- Legation de Belgique
- Adrien-Jean Le Mayeur de Merpres, 1880–1958
- John Michaux 1876–1956
- Fernand Scouflaire, b1815
Unknown
- TGA 9019/1/4/7/13
- TGA 9019/1/4/7/18
- TGA 9019/1/4/7/19
- TGA 9019/1/4/7/21
- TGA 9019/1/4/7/22
- TGA 9019/1/4/7/26
- TGA 9019/2/1/4, Letter to Thomas Cooper and Caroline Gotch from ‘The Crew’
- TGA 9019/2/7/1
- TGA 9019/2/7/4
- TGA 9019/2/7/7
- TGA 9019/2/7/26
- TGA 9019/1/4/7/15
TGA 8716
Unknown
- TGA 8716/64
- TGA 8716/65
- TGA 8716/68
- TGA 8716/99
- TGA 8716/100
- TGA 8716/109
- TGA 8716/111
- TGA 8716/112
- TGA 8716/113
- TGA 8716/114
- TGA 8716/115
- TGA 8716/116
- TGA 8716/117
- TGA 8716/118
- TGA 8716/119
- TGA 8716/120
- TGA 8716/121
- TGA 8716/122
- TGA 8716/123
- TGA 8716/126
- TGA 8716/127
- TGA 8716/128
- TGA 8716/129
- TGA 8716/130
- TGA 8716/131
- TGA 8716/132
- TGA 8716/133
- TGA 8716/134
- TGA 8716/135
- TGA 8716/136
TGA 9211
Unknown
- TGA 9211/8/1/7/3
- TGA 9211/8/1/7/5
- TGA 9211/8/1/7/8
- TGA 9211/8/1/7/9
- TGA 9211/8/1/7/10
- TGA 9211/8/1/5
- TGA 9211/8/1/6
- TGA 9211/8/1/7/1
- TGA 9211/8/1/7/2
- TGA 9211/8/1/7/4
- TGA 9211/8/1/7/14
- TGA 9211/8/1/7/15
- TGA 9211/8/1/11
- TGA 9211/8/1/12
- TGA 9211/8/1/15/1
- TGA 9211/8/1/15/2
- TGA 9211/8/1/15/3
- TGA 9211/8/1/15/6
- TGA 9211/8/1/15/7
- TGA 9211/8/1/15/8
- TGA 9211/8/1/15/9
- TGA 9211/8/1/15/10
- TGA 9211/8/1/15/11
- TGA 9211/8/1/15/12
- TGA 9211/8/1/15/13
- TGA 9211/8/1/15/14
- TGA 9211/8/1/16/1
- TGA 9211/8/1/16/2
- TGA 9211/8/1/16/3
- TGA 9211/8/1/18/2
- TGA 9211/8/1/19/1
- TGA 9211/8/1/19/2
- TGA 9211/8/1/19/3
- TGA 9211/8/1/19/4
- TGA 9211/8/1/19/5
- TGA 9211/8/1/19/6
- TGA 9211/8/1/19/7
- TGA 9211/8/1/19/8
- TGA 9211/8/1/19/9
- TGA 9211/8/1/19/10
- TGA 9211/8/1/19/11
- TGA 9211/8/1/19/12
- TGA 9211/8/1/19/13
- TGA 9211/8/1/19/14
- TGA 9211/8/1/19/15
- TGA 9211/8/1/19/16
- TGA 9211/8/1/19/17
- TGA 9211/8/1/19/18
- TGA 9211/8/1/19/19
- TGA 9211/8/1/19/20
- TGA 9211/8/1/19/21
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- TGA 9211/8/1/19/27
- TGA 9211/8/1/19/28
- TGA 9211/8/1/19/29
- TGA 9211/8/1/19/30
- TGA 9211/8/1/19/31
- TGA 9211/8/1/19/32
- TGA 9211/8/1/19/33
- TGA 9211/8/1/19/34
- TGA 9211/8/1/19/35
- TGA 9211/8/1/19/36
- TGA 9211/8/1/19/37
- TGA 9211/8/1/19/38
- TGA 9211/8/1/19/39
- TGA 9211/8/1/19/40
- TGA 9211/8/1/19/41
- TGA 9211/8/1/19/42
- TGA 9211/8/1/19/43
- TGA 9211/8/1/19/44
- TGA 9211/8/1/19/45
- TGA 9211/8/1/19/46
- TGA 9211/8/1/19/47
- TGA 9211/8/1/19/48
- TGA 9211/8/1/19/49
- TGA 9211/8/1/19/50
- TGA 9211/8/1/19/51
- TGA 9211/8/1/19/52
- TGA 9211/8/1/19/53
- TGA 9211/8/1/19/54
- TGA 9211/8/1/19/55
- TGA 9211/8/1/19/56
- TGA 9211/8/1/19/57
- TGA 9211/8/1/19/58
- TGA 9211/8/1/19/59
- TGA 9211/8/1/19/60
- TGA 9211/8/1/19/61
- TGA 9211/8/1/19/62
- TGA 9211/8/1/19/63
- TGA 9211/8/1/19/64
- TGA 9211/8/1/19/65
- TGA 9211/8/1/19/66
- TGA 9211/8/1/19/67
- TGA 9211/8/1/19/68
- TGA 9211/8/1/19/69
- TGA 9211/8/1/19/70
- TGA 9211/8/1/19/71
- TGA 9211/8/1/20/1
- TGA 9211/8/1/20/2
- TGA 9211/8/1/20/3
- TGA 9211/8/1/20/4
- TGA 9211/8/1/20/5
- TGA 9211/8/1/20/6
- TGA 9211/8/1/20/7
- TGA 9211/8/1/20/8
- TGA 9211/8/1/20/9
- TGA 9211/8/1/20/10
- TGA 9211/8/1/20/11
- TGA 9211/8/1/21/1
- TGA 9211/8/1/21/2
- TGA 9211/8/1/21/3
- TGA 9211/8/1/21/4
- TGA 9211/8/1/21/5
- TGA 9211/8/1/21/6
- TGA 9211/8/1/21/7
- TGA 9211/8/3/9
- TGA 9211/8/15/19
- TGA 9211/8/15/32
- TGA 9211/8/21
Photographs including unknown artworks
- TGA 9211/5/2/6
- TGA 9211/5/2/7
- TGA 9211/5/2/8
- TGA 9211/5/2/10
- TGA 9211/5/2/13
- TGA 9211/5/2/16
- TGA 9211/5/2/17
- TGA 9211/5/2/24
- TGA 9211/5/2/25
- TGA 9211/5/2/26
- TGA 9211/5/2/28
- TGA 9211/5/2/43
- TGA 9211/5/2/44
- TGA 9211/5/2/51
- TGA 9211/5/2/52
- TGA 9211/5/2/55
- TGA 9211/5/2/56
- TGA 9211/5/2/57
- TGA 9211/5/2/61
- TGA 9211/5/2/62
- TGA 9211/5/2/64
- TGA 9211/5/2/65
- TGA 9211/5/2/66
- TGA 9211/5/2/67
- TGA 9211/5/2/68
- TGA 9211/5/2/69
- TGA 9211/5/2/75
- TGA 9211/5/2/76
- TGA 9211/5/2/79
- TGA 9211/5/2/83
- TGA 9211/5/2/84
- TGA 9211/5/2/86
- TGA 9211/5/2/88
- TGA 9211/5/2/89
- TGA 9211/5/2/93
- TGA 9211/5/2/95
- TGA 9211/5/3/5
- TGA 9211/5/3/8
TGA 7247
- Edward Leigh, dates unknown
- Manor Studio, dates unknown
Foresees, dates unknown
- TGA 7247/35, Page 46
- TGA 7247/36, Page 55
- TGA 7247/36, Page 56
- TGA 7247/39, Page 45
- TGA 7247/39, Page 46
- TGA 7247/39, Page 48
Morgan Wells, dates unknown
- TGA 7247/32, Page 1
- TGA 7247/32, Page 2
- TGA 7247/32, Page 3
- TGA 7247/32, Page 4
- TGA 7247/32, Page 5
- TGA 7247/32, Page 6
- TGA 7247/32, Page 8
Rodney Wright-Watson, dates unknown
- TGA 7247/44, Page 46
- TGA 7247/44, Page 47
- TGA 7247/44, Page 48
Unknown
- TGA 7247/37, Page 24
- TGA 7247/37, Page 26
TGA 7050PH
Unknown
- TGA 7050PH/798
- TGA 7050PH/799
- TGA 7050PH/800
- TGA 7050PH/804
- TGA 7050PH/805
- TGA 7050PH/825
- TGA 7050PH/826
- TGA 7050PH/827
- TGA 7050PH/828
- TGA 7050PH/830
- TGA 7050PH/831
- TGA 7050PH/833
- TGA 7050PH/858
- TGA 7050PH/859
- TGA 7050PH/860
- TGA 7050PH/864
- TGA 7050PH/865
- TGA 7050PH/869
- TGA 7050PH/870
- TGA 7050PH/871
- TGA 7050PH/883
- TGA 7050PH/884
TGA 8717
- Philip Granville (1911–2003)
Unknown
- TGA 8717/3/1/18
- TGA 8717/5/7/9
- TGA 8717/5/7/20
- TGA 8717/5/7/21
- TGA 8717/5/7/30
- TGA 8717/5/7/88
- TGA 8717/5/8/8
- TGA 8717/5/8/9
- TGA 8717/5/8/27
- TGA 8717/5/8/28
- TGA 8717/5/8/29
- TGA 8717/5/8/30
- TGA 8717/5/8/31
- TGA 8717/5/8/32
- TGA 8717/5/8/33
- TGA 8717/5/8/34
- TGA 8717/5/8/35
- TGA 8717/5/8/36
- TGA 8717/5/8/37
- TGA 8717/5/8/38
- TGA 8717/5/8/41
TGA 9013
- Keith Vaughan/Fortune Theatre, date unknown
- Keith Vaughan for Joseph Hurst Ltd, dates unknown