Provisional Semantics is part of Towards a National Collection (TANC), a major programme investing in the UK’s world-renowned museums, archives, libraries and galleries. The programme, led by the Arts and Humanities Research Council with funding provided through UK Research and Innovation’s Strategic Priorities Fund, ‘will take the first steps towards creating a unified virtual “national collection” by dissolving barriers between different collections’.
Currently, many subject index terms, catalogue entries and captions of artworks and artefacts in museums and heritage organisations have been informed by, and replicate, colonial contexts, attitudes and modes of perception. These descriptors can be outdated and/or offensive to contemporary audiences, not least people of African and Asian descent, whose diasporic histories are intertwined with Britain’s colonial past. At present there is a significant gap between research examining ethical methodologies and the application within the sector of necessary changes to practice and attitudinal shifts. This gap still prevents sustainable institutional change from taking place.
Provisional Semantics asks:
How can Independent Research Organisations (IROs) and the wider sector develop ethical, equitable and transparent readings to support everyone to engage with a digitised national collection?
Provisional Semantics aims to:
- Examine what methodological, ethical and practical changes museums and heritage organisations need to make to accommodate multiple and provisional interpretations.
- Test what decolonial methods museums and heritage organisations can employ to produce interpretive frameworks and terminologies fit for an evolving digitised national collection.
- Provide evidence, knowledge and practical recommendations for action to inform the Towards a National Collection (TANC) programme and the sector more widely.
Three case studies
Over two years, the Provisional Semantics project will undertake a literature/practice review and utilise three case studies examining:
- Collections at the Clive Museum, Powis Castle (National Trust)
- The photography collection of the Imperial War Museums
- The Panchayat Collection held in the Special Collections of Tate Library
The case studies will address the histories, representations and artistic practices of people of African and Asian descent. We will be testing an approach to collaborating with key stakeholders of African and Asian descent through the case studies and hosting a Reflective Workshop with key stakeholders at the National Maritime Museums. The research is supported by the project’s academic partner, Dr Anjalie Dalal-Clayton, from the Decolonising Arts Institute, University of the Arts London.
Statement of acknowledgement
The Provisional Semantics project team would like to recognise and acknowledge Maxine Miller and the important work she has undertaken throughout her professional career, including decolonising library collections and practices in the UK and beyond. The inspiration for Provisional Semantics was born from a project that Maxine was developing in 2019, with the key aim to transform access to collection material relating to the Caribbean, African and Asian diaspora across the sector.
With Maxine’s generous permission, her original project idea was taken forward in 2020 by Tate Research, and helped to form the basis and critical thinking behind the Provisional Semantics project. Maxine’s knowledge and expertise is of huge importance to, and will continue to inform, the project.
Emily Pringle, Tate
Helen Mavin, Imperial War Museums
Tate Greenhalgh, National Trust
Ananda Rutherford, Research Associate, Tate
Co-investigator and Higher Education Institution (HEI) partner
Anjalie Dalal-Clayton, Decolonising Arts Institute, University of the Arts London
National Maritime Museums