Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
  • Art and Artists
  • Tate Archive
  • Collections of Digitised Archive Items
  • Additional papers of David Mayor
  • Material relating to David Mayor’s Austrian ancestry
  • Correspondence of Anny Schey von Koromla
  • Letters from Edward Renouf to Anny Schey von Koromla
  • Letter from Edward Renouf to Anny Schey von Koromla

Edward Renouf, recipient: Anny Schey von Koromla

Letter from Edward Renouf to Anny Schey von Koromla

8 October [1930]

Page 1

Created by
Edward Renouf 1906 – 1999
Recipient
Anny Schey von Koromla 1886 – 1948
Date
8 October [1930]
Show details

© Estate of Edward Renouf

License this image

In Tate Britain

Library and Archive Reading Rooms

View by appointment
Created by
Edward Renouf 1906 – 1999
Recipient
Anny Schey von Koromla 1886 – 1948
Title
Letter from Edward Renouf to Anny Schey von Koromla
Date
8 October [1930]
Format
Document - correspondence
Collection
Tate Archive
Acquisition
Presented to Tate Archive by David Mayor, December 2007; 2015; 2016.
Reference
TGA 200730/2/1/35/20

Description

8 October

Dear Baroness Schey!

I was in Innsbruck early this morning and sent you a postcard via the ‘varsity box’ there. When I returned there were several letters waiting for me. One from the American Consul in Munich, saying I shouldn’t have too much difficulty getting a passport. Another from Clifford in Paris. As usual, he writes only about Ellen. He says she’s an angel and that he loves her more ardently than any man or woman has ever loved before! Those two should go out in society. C suggested they take an aunt along as a chaperone, not that E needs one – just to protect her reputation. But the aunt would have to be told that she should never, ever be there (!) when C and E want to be alone together, and not in larger gatherings. This, among other things, complicated matters, and Clifford, as a result of his over-sensitivity and passionate desire to ascend with Ellen to the seventh heaven of understanding, actually descended to the seventh hell of misunderstanding. At this point Ellen proved what an angel she is by writing him two letters. On the one hand he was dismayed by these letters because they made him see what an ass he is (while also showing Ellen’s love for what it is!) and on the other hand he was completely and utterly elated and overjoyed that she’d shown him how they’d soon get to the seventh heaven and were already pretty close.

You must meet Ellen someday, Baroness Schey. Not only is she strikingly beautiful, she also perceives the world around her as beautifully as she herself is beautiful, and that’s what counts! When she’s near, the sun burns brighter, flowers are more vibrant, the woods more aromatic, and the night air whispers more mysteriously at the shutters. These statements may seem over the top to a dry, objective mind, but there’s a mystical belief on the fringes of natural science, namely that people have certain [illegible] vibrations which are beneficial to some and burdensome to others. At any rate, this Ellen has an influence, frequency or whatever it may be, that’s so beneficial to Clifford and others like him – and to the birds, the flowers, the woods in the mountains, the stars in the sky, the air at night – that the changes are clearly visible on close observation.

I’ll do what I can to introduce you to Ellen at some point.

I’m coming the day after tomorrow – – – for you tomorrow – – –

Edl

Read more

Archive context

  • Additional papers of David Mayor TGA 200730 (79)
    • Material relating to David Mayor’s Austrian ancestry TGA 200730/2 (79)
      • Correspondence of Anny Schey von Koromla TGA 200730/2/1 (78)
        • Letters from Edward Renouf to Anny Schey von Koromla TGA 200730/2/1/35 (78)
          • Letter from Edward Renouf to Anny Schey von Koromla TGA 200730/2/1/35/20
Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved