Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
  • Art and Artists
  • Tate Archive
  • Collections of Digitised Archive Items
  • Additional papers of David Mayor
  • Material relating to David Mayor’s Austrian ancestry
  • Correspondence of Anny Schey von Koromla
  • Letters from Edward Renouf to Anny Schey von Koromla
  • Letter from Edward Renouf to Anny Schey von Koromla

Edward Renouf, recipient: Anny Schey von Koromla

Letter from Edward Renouf to Anny Schey von Koromla

5 March 1931

Page 1

Created by
Edward Renouf 1906 – 1999
Recipient
Anny Schey von Koromla 1886 – 1948
Date
5 March 1931
Show details

© Estate of Edward Renouf

License this image

In Tate Britain

Library and Archive Reading Rooms

View by appointment
Created by
Edward Renouf 1906 – 1999
Recipient
Anny Schey von Koromla 1886 – 1948
Title
Letter from Edward Renouf to Anny Schey von Koromla
Date
5 March 1931
Format
Document - correspondence
Collection
Tate Archive
Acquisition
Presented to Tate Archive by David Mayor, December 2007; 2015; 2016.
Reference
TGA 200730/2/1/35/22

Description

5 March

My Annie!

I must write now even though I’m going to telephone in an hour. The door to the balcony is open. I’m sitting here in the sun. The melting snow is dripping past the tip of my nose. There’s a blackbird on the balustrade – I wonder if it’s the one you saw? ¬– ‘If a little bird flies over, bringing tidings and a kiss.’ Must be!

The postman did well today. Your letter first and foremost! Rejected manuscripts will never force me to go to America or into business. As long as both of us are fine, as long as our hopes and plans slowly but surely grow and come to fruition, we’ll be so well that our lives as artists will hardly lag behind. I’ve already sent off the novella about the acorn tree. Plans for others are drafted and underway, and I’ll finish them as soon as I have time. Unfortunately the morning just disappeared again today – conferences with notaries and so on about my grandmother’s hopeless burden of a ruin – then I have to spend half the afternoon with Frau Leembruggen. But then –

Besides the motifs for novellas that I’ve already told you about, another one came to me yesterday. In Canada the richest farmer in the region was an old middle-aged bachelor. He was a strictly religious man (Scotch Presbyterian) and had no dealings with anyone other than the clergy. His elderly mother ran his household. As his groom and chambermaid he had a tender, beautiful child of fifteen, a girl from the orphanage in the nearby town. He kept her in line with harsh words and the whip. She feared and hated him bitterly. My brother and I once took her for a little ride in our canoe, and she told us about her woes. That she came out in the canoe with us at all was grounds for a lashing. A year later he married her. How’s that for a short, dramatic novella?

It’s important that I work, but it’s just as important that you should enjoy your rest. These days of rest will be the bridge that carries you safely into the spring. And don’t worry about putting on weight. Your body is so tender and yet so normal and healthy that a couple of kilos here and there will only make it lovelier. Even if you get as fat as a dumpling, you’ll never be able to conceal or withhold your charm from me. So tuck in!

The crocuses, tulips and anemones are blooming like it’s high spring. The doves on the roofs are all madly in love, tender and bellicose, proud and jealous. There’s still snow on the branches, but the little birds are tweeting as though the trees were laden with May blossom. They soon will be!

Just as you are my A–ll, so I am you E–!

Read more

Archive context

  • Additional papers of David Mayor TGA 200730 (79)
    • Material relating to David Mayor’s Austrian ancestry TGA 200730/2 (79)
      • Correspondence of Anny Schey von Koromla TGA 200730/2/1 (78)
        • Letters from Edward Renouf to Anny Schey von Koromla TGA 200730/2/1/35 (78)
          • Letter from Edward Renouf to Anny Schey von Koromla TGA 200730/2/1/35/22
Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved