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  • Letter from Vanessa Bell to Duncan Grant

Vanessa Bell, recipient: Duncan Grant

Letter from Vanessa Bell to Duncan Grant

[c.14 January 1914]

Page 1

Created by
Vanessa Bell 1879–1961
Recipient
Duncan Grant 1885–1978
Date
[c.14 January 1914]
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© The estate of Vanessa Bell courtesy of Henrietta Garnett

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Created by
Vanessa Bell 1879–1961
Recipient
Duncan Grant 1885–1978
Title
Letter from Vanessa Bell to Duncan Grant
Date
[c.14 January 1914]
Format
Document - correspondence
Collection
Tate Archive
Acquisition
Presented to Tate Archive by Henrietta Garnett, May 2007.
Reference
TGA 20078/1/44/18

Description

Letter from Vanessa Bell, 46 Gordon Square, Bloomsbury, London, to Duncan Grant. She discusses the Grafton Group exhibition where paintings by Grant ('A view of Nepi') and Jean Marchand ('Vue de ville' [1912]) were sold to Dora Sanger and Hilton Young respectively (Margery Fry will buy 'Still life with cyclamen'). Oliver Strachey praised a large painting by Bell, but Grant's 'distorted' 'Adam and Eve' was criticised by reviewers and by Gwen and Jacques Raverat on a visit to Vanessa. She describes going to Mitcham with Roger Fry to learn pottery, Fry's rejection of her design for Omega Workshops backer Hagop Kevorkian, and Adrian Stephen's fury at his characterisation in Leonard Woolf's roman à clef 'The wise virgins'. Bell and Fry are visiting Paris to see a Cézanne exhibition at Galerie Bernheim-Jeune, to be joined by Clive Bell and Molly MacCarthy; Grant will be working on designs for an adaptation of 'Twelfth Night', to be staged by Jacques Copeau at the Théâtre du Vieux-Colombier. Also mentions Nina Hamnett, Auguste Rodin, Margery Snowden, and Marjorie Strachey.

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Cubism London Group Post-Impressionism Bloomsbury Group

Archive context

  • Personal papers of Duncan Grant TGA 20078 (234)
    • Correspondence TGA 20078/1 (234)
      • Letters from Vanessa Bell to Duncan Grant TGA 20078/1/44 (234)
        • Letter from Vanessa Bell to Duncan Grant TGA 20078/1/44/18
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