In Tate Britain
Library and Archive Reading Rooms
View by appointment- Created by
- Stuart Brisley born 1933
- Title
- Diagram showing installation requirements for, ‘From the Fourth World to the Third World’, by Stuart Brisley
- Date
- 1985
- Description
- 'From the Fourth World to the Third World' was installed at the Sao Paolo Biennale in 1985. Includes notes relating to the Sao Paolo Biennale on the back of the diagram.
- Format
- Plan
- Collection
- Tate Archive
- Acquisition
- Presented to Tate Archive by Stuart Brisley, November 2011.
- Reference
- TGA 201114/3/5/21
Archive context
- Personal papers of Stuart Brisley TGA 201114 (137)
- Project files and writings TGA 201114/3 (91)
You might like
-
Stuart Brisley Handwritten notes by Stuart Brisley relating to ‘The Institute for Measurement and Control’
[c.1984–5] -
Stuart Brisley Script for the sound work, ‘First level, second degree’, by Stuart Brisley
1983 -
Stuart Brisley Typed document entitled, ’(towards the intermediary zone 11)’, by Stuart Brisley
[c.1984–5] -
Stuart Brisley Typed document, with annotations, entitled, ’(towards the intermediary zone 12)’, by Stuart Brisley
[c.1984–5] -
Stuart Brisley Typed document entitled, ’(towards the intermediary zone 13)’, by Stuart Brisley
[c.1984–5] -
Stuart Brisley Annotated draft of ‘Food as Metaphor’, by Stuart Brisley
[c.1985] -
Stuart Brisley Annotated draft of ‘Food as Metaphor’, by Stuart Brisley
[c.1985] -
Stuart Brisley Typed document, with annotations, entitled, ‘Action Forms Thought’, by Stuart Brisley
[c.1984] -
Stuart Brisley Annotated draft of ‘Food as Metaphor’, by Stuart Brisley
[c.1985] -
Stuart Brisley Typed document entitled, ‘Helmsley Rd, Stuart Brisley 86’
1986 -
Stuart Brisley Annotated draft copy of a typed document entitled, ‘Against Cultural Bacchanal’, by Maya Balcioglu and Stuart Brisley
12 February 1989 -
Stuart Brisley Black and white photograph of ‘The Cenotaph Project’ by Stuart Brisley and Maya Balcioglu
[c.02 December 1987] -
Stuart Brisley Proposal for the ‘Leverkusen Project’, by Stuart Brisley
23 October 1968
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