In Tate Britain
Library and Archive Reading Rooms
View by appointment- Created by
- John Banting 1902–1971
- Recipient
- John Humphrey Spender 1910–2005
- Title
- Charcoal drawing with letter written on the drawing from John Banting to Humphrey Spender
- Date
- [c.1930s]
- Medium
- Ink and charcoal on paper
- Dimensions
- 416 x 285 mm
- Description
- This drawing is composed from abstract shapes mostly made by moving the long side of a piece of charcoal or graphite over the surface of the paper in swirly, circular, or angular movements. The writing, using pink ink, is mainly confined to areas of blank paper in between the charcoal shapes. It is sent from '33 Roehampton' [Banting's address in the 1930s] and in it Banting suggests that Humphrey Spender makes some pictures of Marianne Oswald.
- Format
- Artwork - on paper, unique
- Collection
- Tate Archive
- Acquisition
- This collection was presented to the Tate Archive by Humphrey Spender in 1997.
- Reference
- TGA 9717/1/17
Archive context
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John Banting Manuscript titled ‘The Necessity of Mirrors’ by John Banting
date not known -
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1926–9 -
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[1920s–1960s] -
John Banting Photograph of John Banting
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John Banting Photograph of two women and three men including Barbara Ker-Seymer and John Banting
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March 1938 -
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March 1938 -
John Banting Photograph of a feathered hat designed by John Banting
[1940s] -
John Banting Leaf pressing
date not known -
John Banting Photograph of Barbara Ker-Seymer and Humphrey Pease
[1920s–1960s] -
John Banting John Banting’s printed calling card, with a surrealist poem by Banting
1938 -
John Banting Photograph of Barbara Ker-Seymer, Humphrey Pease and an unidentified man
[1920s–1960s] -
John Banting Draft typescript titled ‘Edward Burra’ by John Banting, with annotations
date not known -
John Banting Manuscript essay about Surrealism in England, by John Banting
date not known
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