Donald Judd
1928–1994
© Donald Judd Foundation/VAGA, New York and DACS, London 2019
License this image
© Donald Judd Foundation/VAGA, New York and DACS, London 2019
License this image
In Tate Britain
Biography
Donald Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. It created an outpouring of seemingly effervescent works that defied the term "minimalism". Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writings as "Specific Objects" (1964). Judd voices his unorthodox perception of minimalism in Arts Yearbook 8, where he asserts; "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities" Through his work Judd shines light on the profound effect on new three dimensional by specificity and generality.
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Read full Wikipedia entryArtworks
Donald Judd Untitled
1980
Donald Judd Untitled
1972
Donald Judd Untitled
1990
Donald Judd Untitled
1973
Donald Judd Untitled (DJ 85-51)
1985
Donald Judd Untitled
1967 or 1968
Donald Judd [no title]
1974
Donald Judd Untitled
1961–78
Artist as subject
Thomas Joshua Cooper Ritual Object (Message to Donald Judd and Richard Serra), Derbyshire
1975
Bob and Roberta Smith When Donald Judd Comes to our Place...
1997
Film and audio
Donald Judd - Approaching Donald Judd
An introduction to Judd covering his background and approach to his work with views of the exhibition.
Features
Art Term
Minimalism
Minimalism is an extreme form of abstract art developed in the USA in the 1960s and typified by artworks composed ...
Art Term
Non-objective art
Non-objective art defines a type of abstract art that is usually, but not always, geometric and aims to convey a ...
Tate Etc
David Batchelor on Malevich
When Tate Etc. invited a selection of artists from around the world to write about how Kazimir Malevich has inspired ...
Tate Etc
How I learned to see: Richard Deacon at Tate Britain
The leading British sculptor Richard Deacon (born 1949), who first gained international prominence in the early 1980s, is the subject ...
Read
Interview with Helen Charash about the life and work of her late sister Eva Hesse
Eva Hesse (1936–1970) was born into a Jewish family in Hamburg. Aged only two, she and her five year ...
Tate Etc
Tate Etc. issue 24: Spring 2012
Tate Etc. Issue 24, Spring 2012 edition, online verion of Tate's magazine
Tate Papers
Tate Papers no.16: Autumn 2011
British-born Lawrence Alloway (1926–1990) was a leading member of the Independent Group in the 1950s before moving in 1961 ...
Tate Papers
Art World, Network and Other Alloway Keywords
The British critic Lawrence Alloway (1926–1990) generated a new vocabulary for American art of the 1960s and 1970s. This ...
Tate Papers
Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium
This article considers Sol LeWitt’s wall drawings as artworks poised on the cusp of the ‘post-medium condition’ of installation ...
Tate Papers
Surviving Reality: Lee Bontecou’s Worldscapes
This article focuses on American artist Lee Bonteco’s drawing practice during the early 1960s, focusing in particular on Drawing ...
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