George Frederic Watts (23 February 1817, in London – 1 July 1904) was a British painter and sculptor associated with the Symbolist movement. He said "I paint ideas, not things." Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language.
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Tate EtcTate Etc. at Tate Britain / Artists' Perspectives
Tate EtcG.F. Watts (1817–1904) has been variously described as one of the ‘heroic failures of British art’ and ‘shallow and pretentious’. …
Tate PapersMusic’s capacity to expose the contradictions which emerged within late nineteenth-century understandings of the sublime is explored in relation to …
Tate PapersThis article explores the significance of the theatrical and literary references found in the triptych Past and Present 1858 by …
Tate PapersThis paper reviews existing literature on nineteenth-century British artists’ materials. Sources of information, such as colourmen’s archives, artists’ diaries and …
Tate EtcPaul Barlow looks at George Frederic Watts’s Hope