George Frederic Watts
1817–1904
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In Tate Britain
Walk Through British Art: 1840
Free entryIn Tate Britain
Biography
George Frederic Watts, RA (23 February 1817, in London – 1 July 1904) was an English Victorian painter and sculptor associated with the Symbolist movement. He said "I paint ideas, not things." Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language.
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Read full Wikipedia entryArtworks
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George Frederic Watts and assistants Hope
1886 -
George Frederic Watts The Minotaur
1885 -
George Frederic Watts Love and Death
c.1885–7 -
George Frederic Watts Love and Life
c.1884–5 -
George Frederic Watts Mammon
1884–5 -
George Frederic Watts The Dweller in the Innermost
c.1885–6 -
George Frederic Watts Death Crowning Innocence
1886–7 -
George Frederic Watts ‘For he had great possessions’
1894
Artist as subject
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George Frederic Watts Self-Portrait
1864 -
Sir Charles Holroyd Sketch of G.F. Watts
1897 -
Anita Bartle, Grant Richards (London, UK) This is my Birthday
1902 -
Henry Scott Tuke Diary of Henry Scott Tuke
12 March 1899–31 December 1905
Film and audio
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Listen
Nicholas Tromans – Limnerlease and Watts Gallery
Nicholas Tromans discusses the challenges and opportunities faced by an ambitious small museum, the Watts Gallery, based on a single ... -
Watch
George Frederic Watts - The Eve Trilogy
Tate curator of 19th century British art, Alison Smith, talks about five George Frederic Watts works in the Tate Collection -
Watch
George Frederic Watts - The Court of Death 1870-1902
Tate curator of 19th century British art, Alison Smith, talks about five George Frederic Watts works in the Tate Collection.
Features
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Tate Etc
G.F. Watts: symbolist and star-gazer
G.F. Watts (1817–1904) has been variously described as one of the ‘heroic failures of British art’ and ‘shallow ... -
Tate Papers
Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art
Music’s capacity to expose the contradictions which emerged within late nineteenth-century understandings of the sublime is explored in relation ... -
Tate Papers
A Dramatic Reading of Augustus Leopold Egg’s Untitled Triptych
This article explores the significance of the theatrical and literary references found in the triptych Past and Present 1858 by ... -
Tate Papers
The Materials Used by British Oil Painters in the Nineteenth Century
This paper reviews existing literature on nineteenth-century British artists’ materials. Sources of information, such as colourmen’s archives, artists’ diaries ... -
Tate Etc
Where there's life, there's...: George Frederic Watts's 'Hope'
Paul Barlow looks at George Frederic Watts’s Hope
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