Lubaina Himid

born 1954

Lubaina Himid, ‘Drowned Orchard: Secret Boatyard’ 2014
Drowned Orchard: Secret Boatyard 2014
© Lubaina Himid
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Biography

Lubaina Himid CBE (born 1954) is a British artist and curator. She is a professor of contemporary art at the University of Central Lancashire. Her art focuses on themes of cultural history and reclaiming identities.

Himid was one of the first artists involved in the UK's Black Art movement in the 1980s and continues to create activist art which is shown in galleries in Britain, as well as worldwide. Himid was appointed MBE in June 2010 for "services to Black Women's Art" won the Turner Prize in 2017 and was made a CBE in the 2018 Queen's Birthday Honours "for services to art."

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Artworks

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Film and audio

Features

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  • Lubaina Himid, ‘Ankledeep’ 1991

    List

    How Himid is rewriting history

    Find out about this Turner Prize winning artist through three of her artworks

  • Photograph of Lubaina Himid

    Interview

    Getting to know Lubaina Himid

    Discover more about the artist's work, inspirations and advice for younger artists

  • Jo Spence, ‘The Highest Product of Capitalism (after John Heartfield)’ 1979

    In the Gallery

    Women and Power: A walk through Tate Britain

    Explore stories of women’s empowerment across the centuries through works in our collection

  • Donald Rodney, ‘In the House of My Father’ 1996–7

    Art Term

    Diaspora

    Diaspora is a term used to describe movements in population from one country to another and is often cited in …

  • Donald Rodney, ‘How the West was Won’ 1982

    Art Term

    The Blk Art Group

    Formed in Wolverhampton, England, in 1979, The Blk Art Group was an association of young black artists who, inspired by …

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    Art Term

    British black arts movement

    The British black arts movement was a radical political art movement founded in 1982 inspired by anti-racist discourse and feminist …

  • Claude Cahun, ‘I Extend My Arms’ 1931 or 1932

    Tate Etc

    MicroTate 36

    Lubaina Himid and Peter C van Wyck

    New reflections on two works by Bridget Riley and Claude Cahun

  • Eddie Chambers Destruction of the National Front 1979–80

    Tate Papers

    The Other Story and the Past Imperfect

    Jean Fisher

    The Other Story, 1989, the first retrospective exhibition of British African, Caribbean and Asian modernism, was received with derision …

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