Paul Cézanne

1839–1906

Biography

Paul Cézanne (US: or UK: ; French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavor to a new and radically different world of art in the 20th century. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects.

Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. Both Matisse and Picasso are said to have remarked that Cézanne "is the father of us all."

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Artworks

Paul Cézanne Still Life with Water Jug

c.1892–3

N04725

Paul Cézanne The Gardener Vallier

c.1906

N04724

Paul Cézanne Montagne Sainte Victoire

1905–6

N05303

Paul Cézanne The Avenue at the Jas de Bouffan

c.1874–5

T01074

Paul Cézanne The Large Bathers

c.1898

P01008

Sorry, copyright restrictions prevent us from showing this object here

Paul Cézanne The Grounds of the Château Noir

c.1900–6

L01891

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Artist as subject

William Roberts No! No! Cézanne never used it

c.1934

View by appointment T12724

William Roberts Distinguished Visitors at the Tate

1965

View by appointment T12740

Graham Sutherland OM Sketchbook 29

1958–62

TGA 812/29

Duncan Grant, recipient: Vanessa Bell Letter from Bear [Duncan Grant] to Vanessa Bell [possibly at Charleston]

[7 June 1919]

TGA 8010/5/1188

Julian Trevelyan Scrapbook

1938–40

View by appointment TGA 898/1/3

Bernard Meninsky Slide plans for Meninsky’s talk at the Arts Council

[1948]

TGA 8225/3/1/5

Bernard Meninsky Manuscript of Meninsky’s article ‘The appreciation of drawing’

[1948]

TGA 8225/3/2/1

Bernard Meninsky Notebook

date not known

TGA 8225/3/5

Vanessa Bell, recipient: Duncan Grant Letter from Vanessa Bell to Duncan Grant

[c.14 January 1914]

View by appointment TGA 20078/1/44/18

See all 36

Features

Art Term

Formalism

Formalism is the study of art based solely on an analysis of its form – the way it is made ...

Art Term

Post-impressionism

Post-impressionismis a term which describes the changes in impressionism from about 1886, the date of last Impressionist group show in ...

Claude Monet, ‘Woman Seated on a Bench’ c.1874

Art Term

Complementary colours

Complementary colours are pairs of colours that contrast with each other more than any other colour, and when placed side-by-side ...

Pablo Picasso, ‘Bowl of Fruit, Violin and Bottle’ 1914

Art Term

Cubism

Cubism was a revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque ...

Art Term

Still life

One of the principal genres (subject types) of Western art – essentially, the subject matter of a still life painting ...

Femme d'Alger 1963 Oil on canvas The Eli and Edythe L. Broad Cllection, Los Angeles © Estate of Roy Lichtenstein/DACS 2012

Blog

Lichtenstein: Art about art

Iria Candela

Curator Iria Candela talks about Lichtenstein's re-creation of other artists of the past such as Picasso, Matisse and Mondrian ...

Gustav Klimt Detail of Altar of Dionysus, painted for the Burgtheater, Vienna, 1886–8

Tate Etc

The master of erotic theatre: Gustav Klimt

Herbert Lachmayer and Alfred Weidinger

To coincide with Tate Liverpool’s exhibition Gustav Klimt: Painting, Design and Modern Life in Vienna 1900, we bring together ...

Dexter Dalwood Versailles in the Jungle 2003

Tate Etc

A stubborn cornerstone at the onset of modernism: Henri Rousseau

Dexter Dalwood and Nancy Ireson

Dexter Dalwood and Nancy Ireson explore the enduring influence and legacy of the self-taught French artist Henri Rousseau

Sigmar Polke The Hunt for the Taliban and Al Qaeda 2002

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Polke dots

A.S. Byatt

Sausages and potatoes, fairytale images and the dots of newspaper photographs – Sigmar Polke explores modern reality through an extraordinary range ...