In Tate Britain
In Tate Britain
Artist biography
Kneller was born Gottfried Kniller in Lübeck, Germany. His father Zachary Kniller was a painter and the Chief Surveyor of the city of Lübeck. In about 1662 he read mathematics at Leyden University before turning to painting, studying under Ferdinand Bol and probably Rembrandt. He was in Rome and Venice from 1672 to 1675, probably painting portraits of the Venetian nobility, before settling in England in 1676. There he ran a successful studio producing replicas and copies. After being introduced to the Duke of Monmouth, he received sittings from the king and was launched as a court artist, establishing a reputation as a portrait painter in the grand manner.
In 1684-5 Kneller was in France, painting Louis XIV for Charles II. A court painter to James II and George I, he was appointed principal painter to William and Mary in 1688. He was knighted in 1692, and in 1695 received, in the presence of the king, an honorary Doctorate of Law from the University of Oxford. In 1700 he was created a Knight of the Holy Roman Empire by the Emperor Leopold I. He married Susanna Grave, a widow, in 1704; the couple were childless. In 1711 he became Governor of the first London Academy, and was re-elected annually until 1718. George I granted Kneller a baronetcy in 1715. At the time of his death in London, about five hundred works remained unfinished in his studio.
Further reading:
J.D. Stewart, Sir Godfrey Kneller, exhibition catalogue, National Portrait Gallery, London 1971
J. Douglas Stewart, Sir Godfrey Kneller and the English Baroque
Portrait, Oxford 1983
Terry Riggs
January 1998
Wikipedia entry
Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller; 8 August 1646 – 19 October 1723), was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to English and British monarchs from Charles II to George I. His major works include The Chinese Convert (1687; Royal Collection, London); a series of four portraits of Isaac Newton painted at various junctures of the latter's life; a series of ten reigning European monarchs, including King Louis XIV of France; over 40 "kit-cat portraits" of members of the Kit-Cat Club; and ten "beauties" of the court of William III, to match a similar series of ten of Charles II's mistresses painted by Kneller's predecessor as court painter, Sir Peter Lely.
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Read full Wikipedia entryArtworks
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Sir Godfrey Kneller Elijah and the Angel
1672 -
Sir Godfrey Kneller Portrait of John Banckes
1676 -
Sir Godfrey Kneller The Harvey Family
1721 -
Sir Godfrey Kneller John Smith the Engraver
1696 -
Sir Godfrey Kneller John Smith, Speaker of the House of Commons
c.1707–8 -
Sir Godfrey Kneller Philip, 4th Lord Wharton
1685 -
Sir Godfrey Kneller The First Marquess of Tweeddale
1695 -
Sir Godfrey Kneller A Lady
c.1715
Features
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Essay
The First Marquess of Tweeddale 1695: By Godfrey Kneller
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
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Essay
John Smith the Engraver 1696: By Godfrey Kneller
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
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Essay
The Harvey Family 1721: By Godfrey Kneller
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
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Essay
John Smith, Speaker of the House of Commons c.1707–8: By Godfrey Kneller
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
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Essay
Elijah and the Angel 1672: By Godfrey Kneller
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
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Read
The Craze for Pastel: Essay
Ruth Kenny's essay on The Craze for Pastel in conjunction with a 2014 BP Spotlight display at Tate Britain on …
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