Not on display
- Artist
- Edward Ardizzone 1900–1979
- Part of
- The Rake’s Progress
- Medium
- Watercolour and ink on paper
- Dimensions
- Support: 171 × 229 mm
- Collection
- Tate
- Acquisition
- Purchased 1940
- Reference
- A01032
Catalogue entry
A01032 THE RAKE'S PROGRESS 1931
(iv) THE BEDROOM
Inscr. ‘E. Ardizzone 31’ b.r.
Watercolour, pen and ink, 6 3/4×9 (17×33).
Five designs, purchased from the Nicholson Gallery (Knapping Fund) 1940.
Exh: Leger Gallery, June 1931 (33–7); Water Colours by Modern English and French Artists, Mayor Gallery, November 1937 (10–14); Nicholson Gallery, March–April 1940 (12–16).
Lit: D. W. Last, ‘Edward Ardizzone: a first one-man show at the Leger Gallery’ in Studio, CII, 1931, p.36.
Although designed as a series these were not intended for book illustrations. They should not be regarded as moralities in the way that Hogarth's paintings of the same subject were, but rather as mildly satirical reportage.
Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, I
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Edward Ardizzone At the Brasserie
1931 -
Edward Ardizzone The Meeting
1931 -
Edward Ardizzone The Arrival
1931 -
Lady Edna Clarke Hall Catherine the Younger and Hareton. Verso: study of cows
date not known -
Edward Ardizzone The Last Stand of the Spoons
1959 -
Edward Ardizzone Lovers by the Sea
1960 -
Edward Ardizzone The Bullies
1961 -
Edward Ardizzone Airing the Children
c.1930–1 -
David Jones Illustration to the Arthurian Legend: Guenever
1938–40 -
Thomas Hennell Interior
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Edward Ardizzone Priest Begging a Lift in Louvain, May 1940
1940 -
Edward Ardizzone On a Fortified Island, the Night Watch
1941 -
Edward Ardizzone Soldiers Holding Up Rosaries to be Blessed at a Papal Audience
1944 -
Edward Ardizzone Scout Cars of a Regiment of Hussars Liberating a Stalag
1945
