Natalia Goncharova



Not on display

Natalia Goncharova 1881–1962
Oil paint on canvas
Support: 1029 × 1232 mm
frame: 1131 × 1334 × 63 mm
Presented by the artist 1961

Display caption

The decorative, stylised quality of this work reflects Goncharova’s interest in the folk arts and religious icons of her native Russia. While contemporaries were looking to so-called ‘primitive’ art beyond Europe, Goncharova celebrated Russia’s indigenous culture. She explained: ‘If I extol the art of my country, then it is because I think that it ... should occupy a more honourable place than it has done hitherto.’ This work is typical of her depictions of peasant life and was made around the time of her stay on a family estate in rural Russia.

Gallery label, March 2005

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Catalogue entry

Nathalie Gontcharova 1881-1962

T00468 Gardening 1908

Inscribed 'N.G.' t.r. and 'Vesna "Uborka sada" | N.G. Larionow' on back of canvas. (The surname Larionow is written in paint of a different colour, apparently as an afterthought)
Oil on canvas, 40 1/2 x 48 1/2 (103 x 123)
Presented by the artist 1961
Exh: Vuistavka kartin Natalii Sergyevnui Goncharovoi, 1900-1913, Art Salon, No.11 Bolshaya Dmitrovka, Moscow, August 1913 (426) as 'Gardening'; Nathalie Goutcharova: Oeuvres Anciennes et Récentes, Galerie de l'Institut, Paris, May-June 1956 (2) as 'Le Travail au Jardin (1907)'; Larionov and Goncharova: A Retrospective Exhibition of Paintings and Designs for the Theatre, Leeds City Art Gallery, September 1961 (90, repr.) as 'Spring Gardening'; Bristol City Art Gallery, October-November 1961 (90, repr.); Arts Council Gallery, London, November-December 1961 (90, repr.)
Lit: Eli Eganbury, Nathalia Goncharova, Mikhail Larionov (Moscow 1913), pp.21, viii; Valentine Marcadé, Le Renouveau de l'Art Pictural Russe 1863-1914 (Lausanne 1971), pp.172, 357; Mary Chamot, Gontcharova (Paris 1972), p.30, repr. p.29 in colour as 'Les Travaux du Jardin' 1908

The artist said that this is a picture which she did not wish to sell because it represents the happiest time of her life, the two summers she spent at the linen factory in the Kaluga district on the estate which belonged to her cousins, with the grandmother she adored. The house stood on a raised terrace and there was a pond below used for washing and bleaching linen. At that time there was also a large paper factory, for high quality paper made of rags.

Larionov thought that this picture should be dated c.1906-7, but Gontcharova believed that 1908-9 was correct. A similar picture of women planting potatoes was reproduced by Eganbury, op. cit., as 'Planting Potatoes' 1908; another of women picking apples was in the 1961 Arts Council exhibition (91, repr.). Although T00468 is now entitled on the back 'Spring: Gardening', it was probably the picture exhibited as 'Gardening' in Moscow in 1913 and listed by Eganbury among her paintings of 1908. No.424 in the 1913 exhibition was 'Planting Potatoes' and no.425 'Picking Apples' (probably the other two pictures referred to); 'Gardening' was the immediately following item, no.426. Though the three pictures are very close in style and theme, they are all slightly different in size.

The summer of 1908 spent in the Kaluga district was a revelation for Gontcharova of rural Russia and completely transformed her work. It was then that she began to paint scenes of peasants working.

T00468 has the sketchy beginnings of a landscape with trees on the back. This was afterwards partly obscured by a thin wash of white, and the inscription was written on top.

Published in:
Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.295-6, reproduced p.295


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