Not on display
- Artist
- Charles Robert Leslie 1794–1859
- Medium
- Oil paint on canvas
- Dimensions
- Support: 328 × 418 mm
- Collection
- Tate
- Acquisition
- Bequeathed by Mrs Elizabeth Vaughan 1885
- Reference
- N01182
Explore
- architecture(41,336)
- periods and styles(5,197)
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- classical(1,043)
- emotions and human qualities(5,366)
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- hedonism(8)
- domestic(1,823)
- eating and drinking(747)
- clothing and personal items(5,986)
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- toga(15)
- drink, wine(58)
- fruit, grape(49)
- curtain(257)
- jug(228)
- actions: postures and motions(9,219)
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- sitting(3,371)
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Augustus Leopold Egg Scene from ‘The Devil upon Two Sticks’
1844, exhibited 1844 -
Frederic George Stephens The Proposal (The Marquis and Griselda)
c.1850 -
Alexander Fraser Figures Outside an Inn: Scene from ‘Peveril of the Peak’
date not known -
Thomas Faed Faults on Both Sides
1861 -
Charles Robert Leslie Sancho Panza in the Apartment of the Duchess
1843–4, exhibited 1844 -
Charles Robert Leslie A Scene from Tristram Shandy (‘Uncle Toby and the Widow Wadman’)
1829–30, exhibited 1831 -
Charles Robert Leslie Uncle Toby and the Widow Wadman
1842 -
Frederick Yeates Hurlstone A Scene from ‘Gil Blas’
exhibited 1868 -
Charles Robert Leslie Head of Prince Hal
c.1851 -
Henry Perronet Briggs Romeo and Juliet - Act II Scene 5 (‘Juliet and her Nurse’)
exhibited 1827 -
Sir John Everett Millais, Bt A Maid Offering a Basket of Fruit to a Cavalier
1849 -
William Holman Hunt The Awakening Conscience
1853 -
George Frederic Watts A Story from Boccaccio
c.1844–7 -
Charles Robert Leslie Sketch for ‘Christ Rebuking His Disciples by Calling the Little Child’
c.1858