
Not on display
- Artist
- Charles Mahoney 1903–1968
- Medium
- Oil paint on canvas
- Dimensions
- Support: 914 × 762 mm
- Collection
- Tate
- Acquisition
- Presented by the Contemporary Art Society 1942
- Reference
- N05323
Display caption
The Garden of Eden is here reinstated as a horticultural fantasy, defined by its relationship with an unseen domestic interior. Mahoney's image of perfection glimpsed from a window was created in the mid-1930s, when the idea of the garden was actually an accomplice of suburbanisation.
Gallery label, May 2003
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Catalogue entry
N05323 ADAM AND EVE IN THE GARDEN OF EDEN c. 1936
Not inscribed.
Oil on canvas, 36×30 (91·5×76·5).
Presented by the Contemporary Art Society 1942.
Coll: C.A.S., 1941.
Exh: N.E.A.C., 1936 (199), as ‘Adam and Eve’.
Lit: Herbert Furst, ‘Standards of Criticism’ in Apollo, XXXVI, 1942, p.15, repr. p.16.
Repr: Studio, CXXIV, 1942, p.12.
Hitherto catalogued as ‘The Expulsion from the Garden of Eden’.
Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II
You might like
-
Christopher Richard Wynne Nevinson A Studio in Montparnasse
exhibited 1926 -
Sir Thomas Monnington Allegory
c.1924 -
James Bolivar Manson Pinks in a Vase
c.1940 -
Sir George Clausen My Back Garden
exhibited 1940 -
Marc Chagall Bouquet with Flying Lovers
c.1934–47 -
Eric Gill Epiphany, Palm Sunday, and Adam & Eve
date not known -
Eric Gill Eve
1926 -
Eric Gill Adam & Eve in Heaven
1927 -
Eric Gill Eve
1928 -
Charles Mahoney Study for ‘Adam and Eve’
c.1936 -
E. Box The Expulsion
1951 -
Barnett Newman Eve
1950 -
Duncan Grant Head of Eve
1913 -
Mary Adshead Morning after the Flood
1928 -
Cecil Collins Adam and Eve
c.1933