Not on display
- Artist
- Henry Moore OM, CH 1898–1986
- Medium
- Bronze
- Dimensions
- Object: 159 × 225 × 95 mm
- Collection
- Tate
- Acquisition
- Presented by the artist 1978
- Reference
- T02283
Display caption
When Moore presented this piece to Tate he explained that animals had always interested him as a subject for sculpture because they posed entirely different problems from the sculptor of the human figure. He liked them above all for their energy and vitality. In Headless Animal he was concerned primarily with the body and legs of the imaginary creature and felt the sculpture would look better without a head, focussing attention solely on the rhythmic form of the torso.
Gallery label, February 2010
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Catalogue entry
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Henry Moore OM, CH Draped Seated Woman
1957–8, cast c.1958–63 -
Henry Moore OM, CH Animal Heads
1975 -
Henry Moore OM, CH Working Model for Unesco Reclining Figure
1957, cast c.1959–61 -
Henry Moore OM, CH Two Piece Reclining Figure No.2
1960, cast 1961–2 -
Henry Moore OM, CH Animal Head
1951 -
Henry Moore OM, CH Animal Head
1957, cast c.1957–62 -
Henry Moore OM, CH Bird
1959, cast 1960 -
Henry Moore OM, CH Relief No.1
1959 -
Henry Moore OM, CH Seated Woman: Thin Neck
1961 -
Henry Moore OM, CH Two Piece Reclining Figure No.3
1961, cast date unknown -
Henry Moore OM, CH Three Piece Reclining Figure No.1
1961–2, cast date unknown -
Henry Moore OM, CH Large Slow Form
1962, cast 1968 -
Henry Moore OM, CH Two Piece Reclining Figure No.5
1963–4, cast date unknown -
Henry Moore OM, CH Two Piece Reclining Figure No.9
1968, cast c.1968–70 -
Henry Moore OM, CH Working Model for Three Piece No.3: Vertebrae
1968, cast c.1968
