Relief No.1 1959 is a tall bronze relief sculpture, which when seen from the front comprises a relatively flat rear plane capped with a triangular point, from which various rounded and angular forms project. As a whole, the configuration of these forms loosely outlines the shape of a standing human figure divided into three distinct sections: the head and shoulders at the top, the central abdomen, and two legs cut off at the knees at the bottom. Sharp recessions between these sections interrupt the continuous evocation of a body in space, although the fact that the figure appears to lean to one side, with its right leg projecting further than the left, gives the impression that it is stepping forward. The depth of the sculptural relief identifies it as a mezzo relief, for around half of the volume of the figure projects from the surface. Unlike most relief sculptures, which are designed to be integrated into walls and only be seen from one side, Relief No.1 is a free-standing sculpture.
The neck and head of the figure are denoted by a vertical, semi-cylindrical shaft with a domed top, which tapers down into a rounded, almost horizontal shelf representing the shoulders (fig.1). When seen from the front the shoulders slope slightly upwards from left to right, where a rounded swelling may outline the top of an upper arm. Below the shoulders, occupying the position of the abdomen, is a more angular protrusion made up of sharper, irregular shaped surfaces and a thin disc-like appendage that juts out from the surface at a right angle (fig.2).
From clay to plaster to bronze
Sources and development
The Henry Moore Gift
Notes
