Samuel Palmer

Evening, engraved by Welby Sherman

1834

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

License this image

In Tate Britain

Prints and Drawings Room

View by appointment
Artist
Samuel Palmer 1805–1881
Medium
Mezzotint on paper
Dimensions
Image: 149 x 178 mm
Collection
Tate
Acquisition
Presented by Herbert Linnell 1924
Reference
N03869

Display caption

Although similar to Palmer's drawing 'Moonlight' hanging nearby, this print was taken from an oil by Palmer which is now untraced. In the second state, it bears the lines from the seventeenth- century poet John Milton: 'EVENING LATE, BY THEN THE CHEWING FLOCKS/ HAD TA'EN THEIR SUPPERS OF THE SAVOURY HERB/ OF KNOT-GRASS DEW-BESPENT'. Palmer mentions the print in a letter to George Richmond dated 14 October, 1834. He writes that he would be 'much obliged if ... you would let the little mezzotint flock hang up somewhere where it can be seen as it might be of some service to Sherman or myself who are both at present pinched by a most unpoetical & unpastoral kind of poverty'.

Gallery label, September 2004

Shoreham / The Ancients

Explore

You might like

Samuel Palmer, ‘Moonlight, a Landscape with Sheep’ c.1831–3

Samuel Palmer Moonlight, a Landscape with Sheep

c.1831–3
View by appointment N03700
Samuel Palmer, ‘Coming from Evening Church’ 1830

Samuel Palmer Coming from Evening Church

1830
On display at Tate Britain part of Walk Through British Art N03697
Samuel Palmer, ‘The Gleaning Field’ c.1833

Samuel Palmer The Gleaning Field

c.1833
On display at Tate Britain part of Walk Through British Art N04842
Samuel Palmer, ‘A Hilly Scene’ c.1826–8

Samuel Palmer A Hilly Scene

c.1826–8
N05805
Samuel Palmer, ‘The Bright Cloud’ c.1833–4

Samuel Palmer The Bright Cloud

c.1833–4
N03312
John Constable, David Lucas, ‘Summer Evening’ published 1831

John Constable, David Lucas Summer Evening

published 1831
View by appointment T04005
after Joseph Mallord William Turner, ‘Shields, on the River Tyne, engraved by C.Turner’ 1823

After Joseph Mallord William Turner Shields, on the River Tyne, engraved by C.Turner

1823
View by appointment T04790
after Joseph Mallord William Turner, ‘Kirkstall Abbey, on the River Aire, engraved by J. Bromley’ 1826

After Joseph Mallord William Turner Kirkstall Abbey, on the River Aire, engraved by J. Bromley

1826
View by appointment T04810
Samuel Palmer, ‘The Harvest Moon: Drawing for ‘A Pastoral Scene’’ c.1831–2

Samuel Palmer The Harvest Moon: Drawing for ‘A Pastoral Scene’

c.1831–2
N03699
George Richmond, ‘Abel the Shepherd’ 1825

George Richmond Abel the Shepherd

1825
N05858
Joseph Mallord William Turner, ‘Hind Head Hill, engraved by Robert Dunkarton’ 1811

Joseph Mallord William Turner Hind Head Hill, engraved by Robert Dunkarton

1811
View by appointment A00961
after Joseph Mallord William Turner, ‘More Park, near Watford, on the River Colne, engraved by C. Turner’ 1824

After Joseph Mallord William Turner More Park, near Watford, on the River Colne, engraved by C. Turner

1824
View by appointment T04795
after Joseph Mallord William Turner, ‘Dartmouth, on the River Dart, engraved by S.W. Reynolds’ 1825

After Joseph Mallord William Turner Dartmouth, on the River Dart, engraved by S.W. Reynolds

1825
View by appointment T04808
Samuel Palmer, ‘The Weary Ploughman’ 1858

Samuel Palmer The Weary Ploughman

1858
View by appointment N03868
William Blake, ‘Thenot and Colinet Folding their Flocks together at Sunset’ c.1821, printed 1830

William Blake Thenot and Colinet Folding their Flocks together at Sunset

c.1821, printed 1830
View by appointment A00124