In Tate Britain
- Artist
- Samuel Palmer 1805–1881
- Medium
- Tempera on mahogany
- Dimensions
- Support: 305 × 454 mm
frame: 439 × 592 × 62 mm - Collection
- Tate
- Acquisition
- Bequeathed by Mrs Louisa Mary Garrett 1936
- Reference
- N04842
Display caption
Samuel Palmer’s vision of the landscape was shaped by his friendship with the older poet and artist William Blake (1757–1827). Blake’s words in Milton are those of a prophet waiting for liberty and peace to reign: ‘I will not cease from Mental Fight, Nor shall my Sword sleep in my hand: Till we have built Jerusalem, In England’s green & pleasant Land.’ This picture shows a scene after harvesting has finished. Palmer, a devout Christian, created images of ‘England’s green & pleasant Land’ that contrasted with the harsher contemporary reality of change and social unrest in the countryside.
Gallery label, February 2016
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
You might like
-
Samuel Palmer The Bright Cloud
c.1833–4 -
Samuel Palmer Coming from Evening Church
1830 -
Samuel Palmer A Church among Trees
c.1830 -
Samuel Palmer Moonlight, a Landscape with Sheep
c.1831–3 -
Samuel Palmer Landscape, Girl Standing
c.1826 -
Samuel Palmer The Weary Ploughman
1858 -
Samuel Palmer Evening, engraved by Welby Sherman
1834 -
Ford Madox Brown Carrying Corn
1854–5 -
Samuel Palmer A Hilly Scene
c.1826–8 -
George Richmond Abel the Shepherd
1825 -
Samuel Palmer The Waterfalls, Pistil Mawddach, North Wales
1835–6 -
Ford Madox Brown The Hayfield
1855–6 -
John Constable, David Lucas Summer Evening
published 1831 -
John Constable, David Lucas Summer Evening
date not known -
John Constable, David Lucas Summer Evening
date not known
