In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite on paper
- Dimensions
- Support: 128 × 114 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D04304
Turner Bequest LXXII 26 a
Catalogue entry
You might like
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Joseph Mallord William Turner Commentary on Correggio’s ‘St Jerome’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Landscape with Diogenes’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Orpheus and Eurydice’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘St Peter Martyr’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner), with Colour Trials
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Anthony Van Dyck’s ‘Cardinal Guido Bentivoglio’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Deluge’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Deluge’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Christ Crowned with Thorns’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on ‘The Good Samaritan’ by a Rembrandt Follower (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Domenichino’s ‘Hercules and Cacus’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Domenichino’s ‘Combat of Hercules and Achelous’ (Inscription by Turner)
1802
