In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite on paper
- Dimensions
- Support: 128 x 114 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D04303
Turner Bequest LXXII 26
Catalogue entry
Explore
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Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Landscape with Diogenes’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Gathering of the Manna’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Deluge’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Deluge’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin (Inscription by Turner)
1802 -
Joseph Mallord William Turner Copy of Nicolas Poussin’s ‘Exposition of Moses’
1799 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Guercino’s ‘Raising of Lazarus’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Correggio’s ‘St Jerome’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Woman with a Mirror’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Detail of Architecture, from Nicolas Poussin’s ‘Eleazer and Rebecca at the Well’, and Colour Key (Inscriptions by Turner)
1802 -
Joseph Mallord William Turner Copy of Nicolas Poussin’s ‘Landscape with a Man Killed by a Snake’
1799 -
Joseph Mallord William Turner Commentary on Domenichino’s ‘Combat of Hercules and Achelous’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Giorgione/Titian’s ‘Concert-champêtre’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802