Joseph Mallord William Turner

Diagrams of Harmonic Proportions, after John Hamilton


In Tate Britain

Prints and Drawings Room

View by appointment
Joseph Mallord William Turner 1775–1851
Pen and ink on paper
Support: 88 x 115 mm
Accepted by the nation as part of the Turner Bequest 1856
Turner Bequest CVIII 17

Catalogue entry

Maurice Davies has identified the whole sequence of notes and diagrams running from folio 15 verso to folio 18 verso (D40670, D07381, D07382, this page and D07383–D07386) as taken from John Hamilton, Stereography, or, a Compleat Body of Perspective, in All Its Branches, London 1738.1 Turner could have consulted the copy at the British Museum (since transferred to the British Library, London).
Andrea Fredericksen has noted that the diagrams here, from Hamilton’s plate 18 figures 55 (the line) and 56 (the more complex figure below), inform Turner’s perspective lecture diagram headed ‘Hamiltons Harmonic Proportions’ (see entry for Tate D17133; Turner Bequest CXCV 162).
The source diagram includes more letters than Turner’s version, relating to Hamilton’s complex explanation, transcribed on folio 16 verso opposite (D07382). The subsequent lecture diagram does not retain this lettering, and appears incomplete and inverted compared to the version here.

Matthew Imms
June 2008

Davies 1994, p.288.

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