Not on display
The page contains a large sketch, drawn horizontally, of a picturesque group of buildings. Finberg noted it simply as ‘Group of houses, &c.’,1 but the location has been identified as Honfleur.2 (For further information on Honfleur see under folio 1 recto, D23699.) Turner picks out the porticoed entrance doorway of the building on the right, and conveys the tower and belfry of the building at centre, the shapes and relative positions of these buildings making them further identifiable as the Lieutenancy building, and Church of Sainte-Catherine respectively, at Honfleur. (For information on the former see under folio 14 verso; D23725.)
Art historians Maurice Guillaud3 and Ian Warrell4 note that this sketch, albeit from a slightly different angle, was the likely basis for Turner’s watercolours The Lieutenancy Building and Church of Sainte-Catherine at Honfleur, Normandy, c.1832 (Tate D24749; Turner Bequest CCLIX 184), and The Lieutenancy Building and Church of Sainte-Catherine at Honfleur, Normandy, of about the same date (Tate D24649; Turner Bequest CCLIX 84). Warrell also states that this sketch was the source for Turner’s watercolour The Lieutenancy Building at Honfleur, Normandy, c.1832 (Tate D29016; Turner Bequest CCXCII 65), and also, along with folio 15 recto (D23726), for the watercolour The Lieutenancy Building at Honfleur, Normandy, c.1832 (Tate D24641; Turner Bequest CCLIX 76).
Finberg 1909, II, p.768.
Guillaud and others, Turner en France, Paris 1981, fig.659, p.325; Warrell 1999, pp.110, 114, 259 note 34, p.260 note 40, p.269 cats.70, 71 and 72; ?Ian Warrell, ‘Turner on the Seine: Topographical Index’, c.1999, Prints and Drawings Room, Tate Britain (printout in copy of Warrell 1999), p.3.
Guillaud and others 1981, fig.659, p.323.
Warrell 1999, pp.110, 114, 259 note 34, p.260 note 40, p.269 cats.70, 71 and 72.
A small rust-coloured stain appears at upper right of the page.