In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Watercolour, gouache and pen and watercolour on paper
- Dimensions
- Support: 240 × 305 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27665
Turner Bequest CCLXXX 148
Catalogue entry
Explore
- architecture(41,336)
- religious(6,855)
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- temple(341)
- ruins(3,719)
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- religious(849)
- animals: mammals(4,859)
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- sheep(492)
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- storm(704)
- Italy(4,478)
You might like
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Joseph Mallord William Turner Study for ‘Temples of Paestum’, Rogers’s ‘Italy’
c.1826–7 -
After Joseph Mallord William Turner Temples of Paestum, engraved by John Pye
1830 -
Joseph Mallord William Turner Tivoli, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner A Villa (Villa Madama - Moonlight), for Rogers’s ‘Italy’
c.1826–7 -
After Joseph Mallord William Turner Paestum
1830 -
Joseph Mallord William Turner Venice, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Forum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner St Maurice, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Campagna of Rome, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Perugia, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Florence, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Marengo, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Lake of Como, II (A Farewell), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study of the Funeral Procession for ‘The Forum’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Vignette Study of Leaning Tower, ?Bologna, ?for Rogers’s ‘Italy’
c.1826–7