Not on display
As Turner’s inscription indicates, the subject of these two sketches is Tournus, a town on the Saône river in the Burgundy region of France. The artist had first visited the town in 1802 during his first trip to France and the Swiss Alps and several relevant sketches can be found within the France, Savoy, Piedmont sketchbook (see Tate D04411, D04418–D04419; Turner Bequest LXXIII 19, 26–27). Indeed, one study of the town from the north had provided the compositional basis for the later oil painting, The Festival upon the Opening of the Vintage of Macon, exhibited 1803 (Sheffield Galleries and Museum Trust), although Turner seems to have been confused over the actual location.1 He passed through Tournus again in 1819 en route between Auxerre and Lyon, probably travelling by boat from Chalon-sur-Saône, and this time he made a series of sketches recording the river topography and the bridge, see folios 21–24 (D14022–D14026).
This page contains two variant views of the town seen from the river. The upper vista depicts the approach from the north, whilst for the lower Turner must have looked behind him as the boat in which he was travelling sailed south in the direction of Mâcon. Aside from the bridge, the most recognisable landmark in both studies is the Benedictine Abbey of St Philibert with its two Romanesque towers (a third tower flanking the entrance to the building was never completed).
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, pp.36–7 no.47, pl.55 (colour).