Not on display
- Artist
- Frederick Walker 1840–1875
- Medium
- Gouache on paper
- Dimensions
- Support: 2172 x 1289 mm
- Collection
- Tate
- Acquisition
- Presented by Sir Claude Phillips in memory of his sister Eugenie Phillips 1906
- Reference
- N02080
Display caption
This life-sized poster is one of the first examples of a fine artist undertaking an advertisement. It was made for Wilkie Collins’s ‘sensation’ play The Woman in White, which opened at the Olympic Theatre, London in October 1871. It combines a Pre-Raphaelite-style beauty with black and white graphic design. Sweeping lines pull the viewer’s eye to the woman’s mysterious and inviting expression.
Gallery label, October 2013
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- architecture(41,338)
- night(683)
- clothing and personal items(5,986)
-
- shawl(91)
- actions: postures and motions(9,220)
-
- twisting(62)
- woman(9,056)
You might like
-
Frederick Walker Philip in Church
c.1862 -
Frederick Walker The Housewife
1871 -
Frederick Walker Rain, engraved by the Brothers Dalziel
published 1867 -
Frederick Walker Philip in Church, engraved by Swain
published 1862 -
Frederick Walker The Chaplain’s Daughter
c.1868 -
Frederick Walker Study for ‘Marlow Ferry’
1861 -
Frederick Walker The Old Gate
1874–5 -
Frederick Walker Refreshment
exhibited 1864 -
Philip Hermogenes Calderon Half Hours with the Best Authors (‘The Siesta’)
1866 -
Frederick Walker The Vagrants
1868 -
Frederick Walker Study for ‘The Harbour of Refuge’
c.1872 -
Frederick Walker Autumn Days, engraved by the Brothers Dalziel
published 1882 -
George Dunlop Leslie Kept in School
1876 -
Charles Samuel Keene Study of a Woman
date not known -
Frederick Walker Spring Days, engraved by the Brothers Dalziel
published 1866