Not on display
- Artist
- Edward Matthew Ward 1816–1879
- Medium
- Oil paint on canvas
- Dimensions
- Support: 533 x 737 mm
frame: 820 x 1015 x 125 mm - Collection
- Tate
- Acquisition
- Presented by Robert Vernon 1847
- Reference
- N00431
Display caption
Edward Hyde, 1st Earl of Clarendon (1609-1674) was Lord High Chancellor to Charles II, who was one of England's most colourful and profligate kings. Clarendon was dismissed both as a result of Charles's general neglect of national affairs and because of a court conspiracy against him. The break between the two men took place on 30 August 1667. In this picture, Clarendon is seen leaving the King's palace at Whitehall. The back of Charles can be seen in the distance. Members of the court look on, rejoicing in Clarendon's fall.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- architecture(42,212)
- features(9,137)
- column(462)
- stair / step(545)
- terrace(154)
- periods and styles(5,410)
- classical(1,079)
- residential(5,707)
- palace(483)
- features(9,137)
- emotions, concepts and ideas(16,664)
- emotions and human qualities(5,345)
- shame(46)
- emotions and human qualities(5,345)
- history(5,835)
- literature and fiction(3,198)
- nature(46,457)
- animals: mammals(5,147)
- dog - non-specific(1,119)
- animals: mammals(5,147)
- objects(23,567)
- clothing and personal effects(6,011)
- cane / walking stick(132)
- dress(372)
- hat(1,465)
- clothing and personal effects(6,011)
- people(35,718)
- adults(23,331)
- groups(5,482)
- group(4,508)
- named individuals(12,515)
- places(42,444)
- UK countries and regions(25,024)
- England(19,759)
- UK London(5,208)
- UK countries and regions(25,024)
- work and occupations(14,380)
- military(1,677)
- public service(755)
- royalty and social rank(1,836)
- aristocrat(1,359)
- courtier(71)
- king(115)
You might like
Edward Matthew Ward Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748
1845, exhibited 1848
Robert Braithwaite Martineau The Last Day in the Old Home
1862
Charles Robert Leslie A Scene from Milton’s ‘Comus’
exhibited 1844
John Rogers Herbert Sir Thomas More and his Daughter
1844, exhibited 1844
Ford Madox Brown Chaucer at the Court of Edward III
1856–68
Charles Robert Leslie Sancho Panza in the Apartment of the Duchess
1843–4, exhibited 1844
Emily Mary Osborn Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15
1857
Charles Robert Leslie Sketch for ‘Sancho Panza in the Apartment of the Duchess’
c.1844
Charles Robert Leslie Sketch for ‘The Rape of the Lock’
c.1854
Edward Matthew Ward The South Sea Bubble, a Scene in ‘Change Alley in 1720
1847, exhibited 1847
William Maw Egley Omnibus Life in London
1859
Alexander Fraser Figures Outside an Inn: Scene from ‘Peveril of the Peak’
date not known
Charles Robert Leslie Sketch for ‘Charles II and Lady Bellenden’
c.1837
Augustus Leopold Egg Beatrix Knighting Esmond
1857
Henry Bernard Chalon A Representation of the Persians in the Costume of their Country, Attending at Carlton Palace
?1819
