Not on display
- Artist
- Fred Williams 1927–1982
- Medium
- Oil paint on 4 canvases
- Dimensions
- Displayed: 1800 × 2036 mm
- Collection
- Tate
- Acquisition
- Presented by the artist's estate 2006
- Reference
- T12270
Display caption
In the early 1970s Williams’s work changed considerably. He became interested in the movement of the sea and produced a series of paintings on islands in the Bass Straight
between Victoria and Tasmania. In Beachscape, Erith Island II, one of a small number of multi-part works, Williams examined the movement of the tide and the creation and recreation of temporary landscapes as the sea washed over the beach. The new focus on the sea brought a lighter and more lyrical colour, while the format implied sectional slices through time and space.
Gallery label, May 2008
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- emotions, concepts and ideas(16,660)
-
- formal qualities(12,721)
-
- aerial view(122)
- universal concepts(6,446)
-
- environment / nature(371)
- animals: fish and aquatic life(313)
-
- fish(166)
- countries and continents(17,513)
-
- Australia(72)
- Erith Island(1)
You might like
-
Fred Williams Burnt Landscape II (Bushfire Series)
1970 -
Fred Williams Riverbed D
1981 -
Fred Williams Dry Creek Bed, Werribee Gorge I
1977 -
Fred Williams Upwey Landscape
1964–5 -
Fred Williams The St George River
1960 -
Fred Williams Coal Delivery
1955 -
Sir Sidney Nolan Peter Grimes’s Apprentice
1977 -
Sir Sidney Nolan Antarctica
1964 -
Fred Williams Yarra Billabong, Kew II
1975 -
Fred Williams Ponds, Lysterfield
1965–6 -
Fred Williams Upwey Landscape No. 5
1965–6 -
Fred Williams Scrub at Lilydale
1965–6 -
Fred Williams Chopped Trees
1965–6 -
Fred Williams You Yangs Landscape Number 1
1963–4 -
Fred Williams Landscape Triptych Number 1
1962