
In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Fred Williams 1927–1982
- Medium
- Etching on paper
- Dimensions
- Image: 203 × 151 mm
- Collection
- Tate
- Acquisition
- Purchased 1992
- Reference
- P77552
Display caption
By the early 1960s, Williams had evolved a distinctive composition in which the landscape was reduced to an all-over patterning of small touches of paint evoking trees and shrubs. He moved to Upwey, in the Dandenong Ranges outside Melbourne in 1963, bringing him into the heart of the countryside. His studio there was in a valley, and the view above the surrounding trees encouraged him to raise the horizon in his compositions, leaving only a narrow band of sky at the top.
Gallery label, May 2008
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- abstraction(9,883)
-
- from recognisable sources(4,512)
-
- landscape(1,220)
- cities, towns, villages (non-UK)(13,330)
-
- Upwey(1)
- Australia(72)
You might like
-
Fred Williams You Yangs Landscape Number 1
1963–4 -
Fred Williams Landscape Triptych Number 1
1962 -
Fred Williams Ponds, Lysterfield
1965–6 -
Fred Williams Upwey Landscape
1964–5 -
Fred Williams Chopped Trees
1965–6 -
Fred Williams Scrub at Lilydale
1965–6 -
Fred Williams Burnt Landscape II (Bushfire Series)
1970 -
Fred Williams The St George River
1960 -
Sir Sidney Nolan Landscape
1978–9 -
Fred Williams Yarra Billabong, Kew II
1975 -
Sir Sidney Nolan Landscape - Miner/Red Helmet
1973 -
Fred Williams Riverbed D
1981 -
Fred Williams Dry Creek Bed, Werribee Gorge I
1977 -
Sir Sidney Nolan Landscape - Miner and Tree
1973 -
Fred Williams Beachscape, Erith Island II
1975