The sublime evokes experiences of awe-inspiring grandeur, vastness or beauty. Explore the varied ways in which the sublime has been interpreted from the seventeenth century to today in this issue. Anna Cutler writes about learning in cultural institutions, and John Stack publishes Tate’s online strategy for 2010–12.
Tate Papers no.13 Spring 2010
In this issue
Psychosis and the Sublime in American Art: Rothko and Smithson
The Sublime Object
Stubbs, Walpole and Burke: Convulsive Imitation and ‘Truth Extorted’
The Sublime Object
See also
The Sublime Object: Nature, Art and Language
A research project investigating the concept and cultural practice of the sublime in nature, art and language.