Henry Moore
Visit two rooms dedicated to the work of sculptor Henry Moore
Photo© Rikard Österlund
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This display shows over 30 works across two rooms including film, photographs, maquettes, and drawings shown alongside large-scale sculptures such as Recumbent Figure 1938, the first of Moore’s artworks to enter Tate’s collection in 1939.
After emerging in the 1920s as a leading avant-garde figure, Henry Moore’s international status was secured in 1948 when he won first prize at the first Venice Biennale since the war.
His work was consistently associated with landscape and nature. The forms seen in his sculptures often derive their shapes from natural objects such as stones, bones and sticks that he found in the countryside, and he saw landscape as the best setting for his sculptures.
This display has been devised by curator Jenny Powell with Alice Correia.
Tate Britain
Main Floor
2 rooms in Henry Moore
Henry Moore OM, CH, Reclining Figure 1951
In the late 1940s, the Arts Council invited Moore to submit ideas for a sculpture to be sited at the South Bank site of the Festival of Britain. Although the organising committee suggested a family theme, Moore chose to make this tense, skeletal reclining form. The work on display is the plaster model for the bronze, which was cast in an edition of five.
Gallery label, September 2004
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Henry Moore OM, CH, Recumbent Figure 1938
This is one of the earliest works in which Moore shows the female figure undulating like the landscape. It was commissioned by the architect Serge Chermayeff to stand on the terrace of his home on the Downs. Visually, the figure would have acted as a bridge between the rolling hills and the ultra-modern house. Moore, like others, used many native British stones at this time. This Hornton stone came from a quarry near Banbury in Oxfordshire.
Gallery label, July 2007
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Henry Moore OM, CH, Moon Head 1964, cast c.1964–6
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Henry Moore OM, CH, Family Group 1944
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Highlights
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