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Tate Britain Exhibition

Wyndham Lewis and Vorticism

6 July – 19 August 1956

Wyndham Lewis, Composition 1913. Tate. © Wyndham Lewis and the estate of Mrs G A Wyndham Lewis by kind permission of the Wyndham Lewis Memorial Trust (a registered charity).

Wyndham Lewis
Composition (1913)
Tate

© Wyndham Lewis and the estate of Mrs G A Wyndham Lewis by kind permission of the Wyndham Lewis Memorial Trust (a registered charity)

Wyndham Lewis grew up at a time when nineteenth-century Romanticism and Realism in general, and in particular the Impressionists’ passive acceptance of the scene before them, however unsuitable according to traditional canons, as a subject for a work of art was being challenged everywhere.

During his early formative years in Germany, Holland and Spain and especially in France he assimilated the ideas of anti-Romantic thinkers such as Lasserre, Massis, Seillière and Sorel, and back in England he formed a close friendship with TE Hulme, who, subject to similar ideas, had pondered them more deeply than Lewis, and expressed them more influentially in his forceful and pregnant talk than in his occasional writings.

When he first emerged as a critic he was unable to accept any of the prevailing schools. Cubism, he found, shared the same starting-point in empiric nature with Impressionism. Futurism was too literary, and by its insistence on movement sacrificed clarity, and Expressionism, in which he included Abstraction, was disabled by its ambivalent attitude towards the natural world.

For the propagation of his own aesthetic, which his friend Ezra Pound christened Vorticism, Lewis established in 1914 the short-lived Rebel Art Centre, at 38 Great Ormond Street, where it was intended that classes in painting and drawing, lectures and exhibitions should be held, and he published what Pound called ‘the great magenta cover’d opusculum’, Blast: Review of the Great English Vortex.

In 1916 Lewis went into the Army and the Vorticist Movement was submerged by the war.

John Rothenstein

Tate Britain

Millbank
London SW1P 4RG
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Dates

6 July – 19 August 1956

Find out more

  • The Vorticists Manifesto for a modern world exhibition banner

    The Vorticists: Manifesto for a Modern World

    The Vorticists exhibition at Tate Britain celebrates the full electrifying force of this pivotal modernist movement

  • Cover of the Vorticist journal Blast

    BLAST! The radical Vorticist Manifesto

    Chris Stephens

    Possibly the best known item that the Vorticists produced is their journal BLAST, in June 1914 just before the beginning of the First World War.

  • Lost Art: Wyndham Lewis

    Lost Art: Wyndham Lewis

    Jennifer Mundy

    The Gallery of Lost Art is an immersive, online exhibition that tells the fascinating stories of artworks that have disappeared. Each week a new story of loss is added, and the evidence presented for examination

  • Artist

    Wyndham Lewis

    1882–1957
Artwork
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