Bringing together many works rarely exhibited before in the UK, this survey exhibition will highlight the abstract sculptures of Prague-born Slovak artist Maria Bartuszová.
Bartuszová worked over three decades in Košice, the second-largest city in Slovakia. She created around 500 sculptures, from small organic forms to commissions for public spaces as well as works in the landscape, despite restrictions on her artistic life during this period.
The exhibition starts in the 1960s, when Bartuszová experimented using her own distinctive method of casting plaster by hand. Inspired by playing with her young daughter, she created abstract shapes by pouring plaster into rubber balloons – her signature material was white plaster, giving the sculptures a fragile quality.
She shaped the sculptures by pushing, pulling, or submerging them into water, creating unique and distinct shapes. Some suggest raindrops, seeds or eggs, others the human body. Later, she allowed the balloons to burst, creating delicate works similar to cocoons or nests.
In the 1980s, Bartuszová frequently photographed her works outdoors to emphasise their close ties to nature. The exhibition will also include a selection of these striking images.
All Tate Modern entrances are step-free. You can enter via the Turbine Hall and into the Natalie Bell Building on Holland Street, or into the Blavatnik Building on Sumner street.
There are lifts to every floor of the Blavatnik and Nathalie Bell buildings. Alternatively you can take the stairs.
- Fully accessible toilets are located on every floor on the concourses.
- A quiet room is available to use in the Natalie Bell Building on Level 4.
- Ear defenders can be borrowed from the Ticket desks.
To help plan your visit to Tate Modern, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.
Our exhibition guide explores the exhibition room by room.
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