Free Tate Modern Exhibition

A Year in Art: Australia 1992

Emily Kame Kngwarreye, ‘Untitled (Alhalkere)’ 1989
Emily Kame Kngwarreye, Untitled (Alhalkere) 1989. Tate. © Estate of Emily Kame Kngwarreye / DACS 2021, All rights reserved

This free exhibition brings together works which respond to debates around Aboriginal and Torres Strait Islander land rights in Australia

It takes as its starting point the landmark 1992 High Court ruling in favour of Torres Strait Islander land-rights activist Edward Koiki Mabo. The ruling overturned terra nullius (meaning ‘land belonging to no-one’), the doctrine on which the British justified colonising the land now known as Australia.

The exhibition explores how artists have acknowledged the continuing relationship Aboriginal and Torres Strait Islander peoples have with their lands, as well as the ongoing impact of colonisation and the complexities of representation in Australian society today.

The exhibition will feature many works of art jointly acquired by Tate and the MCA in Sydney through an innovative partnership established in 2015 via a gift from the Qantas Foundation. These include works which interrogate post-colonial histories, narrate political tensions, and illustrate how the oldest continuous living cultures in the world, reaching back 65,000 years, assert connection to country in contemporary art today.

Acknowledgement

Tate acknowledges and pays respect to the Traditional Owners of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to the Elders of these lands and acknowledge the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples.


Research supported by Hyundai Tate Research Centre: Transnational in partnership with Hyundai Motor.

Please read our safety guidelines below before you visit.

Our exhibition guide explores the exhibition room by room.

Tate Modern's entrance is via the Turbine Hall on Holland Street. There are automatic sliding doors and a ramp down to the entrance.

The Exhibition is on Level 3 of the Natalie Bell Building. There are lifts to every floor of the Blavatnik and Natalie Bell buildings. Alternatively you can take the stairs.

  • Fully accessible toilets are located on every floor on the concourses.
  • A quiet room is available to use in the Natalie Bell Building on Level 4.
  • Ear defenders can be borrowed from the Ticket desks.

For more information before your visit:

Check all Tate Modern accessibility information

Visitor numbers are being carefully managed to ensure that your visit is as safe and comfortable as possible. There are increased cleaning regimes in high use areas and protective screens on desks and counters. We are only accepting card or contactless payments and have installed hand sanitiser dispensers throughout the gallery.

When you visit:

  • Keep your distance from others
  • Follow the one-way route
  • Act on any guidance our team may give you
  • Limit your party to six people or two households only

All visitors are required to wear face coverings in our galleries, apart from those who are exempt. Not all exemptions are visible so please be understanding of others.

Most importantly if you are feeling unwell, help keep everyone safe by staying at home.

For more information take a look through our frequently asked questions.

Tate Modern

Bankside
London SE1 9TG
Plan your visit

Dates

8 June 2021 – Spring 2022

Pricing

Free with ticket

This exhibition is included in the All Tate Modern Collections route

This exhibition contains names and images of deceased Aboriginal and Torres Strait Islander peoples

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